Review: The Hold Steady at the Showbox 08/17

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The Hold Steady – Chill Out Tent

I dragged my childhood friend Freeze to a The Hold Steady concert at the Showbox. We hadn’t seen each other since Love’s wedding eight months ago.

“I don’t enjoy concerts as much as I used to,” she said. “This isn’t really my scene anymore.”

And I understood. A mountain of a man, well over six feet and 300 pounds, beyond drunk, spent most of the concert hurling his body into the people around him, shoving Freeze around. He chucked his sandal into the crowd, his dull eyes following its flight. Then he stumbled forward, ready to part the sea of people before him or crush whoever didn’t move until he found his footwear again.

I wanted to elbow him in the temple, let him succumb to unconsciousness.

By contrast Craig Finn spilled unadulterated joy on the stage. With his polo shirt and nerdy glasses, he looked like any geek delighted that people actually came out to see him.

His speak-singing, punctuated by outstretched/imploring arms, was as earnest as his teenage girl narrators, telling the stories of Christians toking up and listless boys embracing the boredom of white suburbia. Curls of marijuana smoke licked at the colored lights as Finn sang:

Heaven is whenever / we can get together / sit down on your floor / and listen to your records.
Heaven is whenever / we can get together / lock your bedroom door / and listen to your records.

Finn’s goofy demeanor meant that his bright smile could only be taken as sincere. He claps like a bubbly child whenever one of his band-mates performs one of their monster guitar solos. “Rock is real people in a real room with real instruments playing real music,” he said, imploring us to clap along.

Real people – real sweaty people – bundled into each other, only the fabric they clothe themselves in separating the bodies as the entire crowd heaved forward during the upbeat tunes.

I raised my hand like in a worship song as we communed in songs of teenage angst and 20s listlessness.

Freeze, inside of me there is a recklessness and a destructive bent and an uncouth teenager. This is still my scene.

[You should really buy Boys And Girls In America, preferably at one of the stops in The Hold Steady’s tour.]

Can you hear them, the helicopters.

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I’m sorry about making a pass

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Camera Obscura – Suspended From Class

Camera Obscura writes the soundtrack for PostSecret.com

[Buy Underachievers Please Try Harder.]

(I heard them stirring.)

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Fleet Foxes – Heard Them Stirring

Peeling oranges on the countertop. Rubbing the soles of my feet against the kitchen tiles, feeling the stray crumbs and the sticky remnants of spilled apple juice from days earlier binding with the fleshy underside. Wearing a tattered bathrobe on top of some borrowed shorts that are both too big and too small. The morning is goosebump-ridden, tickling forearm hairs with its chill. The afternoon promises more of the same. Citric juices on my fingers. Forgetting about this. Rubbing my eyes. Feeling the burn. Open mouth and wide expression, waiting for the sting to settle. Something feels good. [Buy.]

(artwork by Tom Bennett)

I hope she takes me home tonight

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Two Seconds To Midnight – Op1m1sm

Here is an exhaustive list of the things war is good for:

  • – Invigorating a slouching economy
  • – Cultivating patriotism
  • – Curbing overpopulation
  • – Fostering technological advancements

[Buy Architecture]

“…but I’m not the only one.”

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Imagine (orig. John Lennon) – Antony & The Johnsons

It’s a compelling discomfort that comes with writing alongside songs that speak for themselves, like telling a beautiful woman that she is exactly that: beautiful. She already knows. Telling her is a soft rustle in the leaves of her trees, passing by.

Covering John Lennon’s “Imagine” is something like that. Futile. And it’s not that Antony soaking his honey-heavy vocals in it isn’t comely – it is – but telling you that is pinching time that could be better spent listening.

[Thank You For Your Love falls on the 30th of this month. Pre-order here. Their next full-length album follows in October. Pre-order that, too.]

So apropos: saw death on a sunny snow.

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So with her sister, she did go.

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Elephant Micah – The Story Of My Expatriate Friends

“What are you thinking about?” “Stop asking me what I’m thinking about. I don’t know. Nothing.”

[Download Elephant Micah and the Agrarian Malaise in its entirety.]

When we were five.

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Ceremony tingles. Pre-determined weight. Scales of something and often wrong waiting at the gates. “Come in, darling,” she crooned. “I’m waiting for the taste.” Worried for the consequence of desires I’ve come to sate. Laughing at the breathlessness. Sitting on the fence. Typing all these syllables, I’m tired of your friends. Inebriated honesty. Maybe. Save me from the trends. I’ll leave this sentence to you ’cause the rest won’t mean a thing.

[Soraia’s When We Were Five fell from the grinding gears on the 9th. Three-hundred and ninety seconds for ninety-nine cents.]

…in the seventies finally fall

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Arcade Fire – The Suburbs

Toby took his tacos outside and crouched on a curb. He knocked some sour cream off onto the concrete, devoured the tacos without tasting them, crumpled the wrappers and tossed them over his shoulder. The wind had given out, and there was no way to tell it was wintertime. Toby thought he might still be hungry.

“You littered.”

Toby turned. He didn’t get up. A little boy had snuck up on him. The boy’s mother was still in the car, griping at someone on a cell phone.

“It’s true,” Toby admitted. “You’ve caught me in an unlawful act.”

“Littering is bad for nature.”

“Nature will be okay,” Toby said. “Nature always wins in the end.”

“You can get a fine. Up to five hundred dollars.”

Toby looked up into the boy’s face. Something was wrong with one of the boy’s eyebrows. “When the time comes, you’re going to make one heck of a hall monitor.”

The boy looked from Toby to the wrappers. They weren’t going anywhere–not the slightest breeze.

“Some people got it, some don’t. You saw me gladly minding my own business over here and something about that bothered you.”

“Are you going to pick them up?”

“You ever hear of an ice age?”

“Yes,” said the boy.

“It might take a long time, but we’re headed for another one. When the iace age hits, a couple of taco wrappers won’t make much difference.”

The boy shrugged. His knuckles were raw, along with his elbows. His T-shirt had a dolphin on it.

Toby stood and brushed his hands together, cleaning them of the gravelly dirt. He touched the boy’s shoulder.

“Your mom doesn’t love you as much as she used to. She thinks there might be something wrong with you. Is she right? Is there something wrong with you?”

The boy’s mouth opened a bit and his funny eyebrow scrunched. He turned back toward his mother.

“You’ve noticed, haven’t you? You’ve been monitoring her and you’ve noticed a difference in how she treats you.”

The boy stared toward his mother in the car, waiting to state her case into the phone. Her eyes were pressed shut with impatience.

“It’s all the bad thoughts you have,” Toby said. “On the outside you’re a hall monitor, but on the inside you’re one sick lad.”

[Text stolen verbatim from the opening passage of Citrus County, by John Brandon, a novel I read within 24 hours, giggling and weeping simultaneously the whole way through, before spending a sleepless night tossing and turning and pondering why my life is so empty.]

[Buy The Suburbs.]

(photo by Louie Banks)