You only need songs when you’re young.

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Stars – The Last Song Ever Written

My vision of the far future is tainted by tacky television shows. So when I try to imagine the world in 100 years, pretending this actually was the last song humanity came up with, I see people in those silver jumpsuits. They’re in a museum, all sleek lines and dust-free.

One of them sporting a Win Butler haircut approaches a pair of Sennheisers hanging on a stand. A holographic message pops up explaining the background of the song and band. The kid apprehensively puts the headphones on and the song begins.

For a while the embarrassingly self-referential and meta lyrics distract him, but then syrup voices sing “la la la la la” and somewhere under that half-shaved haircut, pleasure censors in his brain flick on in places they’ve never lighted before.

[Buy The Five Ghosts.]

You need help!

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Queen – Don’t Try Suicide

How many ways are there to kill yourself?

I thought about a couple: belly-flop into the North Atlantic ocean from an airplane; slit your wrists with your father’s carving knife; sit idly in the garage with the doors and windows closed and the car running; pluck a plant from the garden, pretend it’s Gillyweed, dive headfirst into the swimming pool and breathe; play a round of Kings with petrol instead of alcohol; adopt a rabid pitbull… [The Game.]

Bi-hearted

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TV Girl – If You Want It

“Hello, it’s me.”

It may be the early-bird present giving season saturating my already eager system, but If You Want It‘s pocket-change-jangling introduction sounds like supermarket shopping distraction; those seasonal tracks spinning in dance on open air over product shelving, spinning just a little too fast to hurry you out of there.

“We’ve done this before.”

The song’s storyteller, its one sided bias, tells of a drunken romp with the familiar, a certain masochistic guilt, the passing of lacking-time, and repeated consummation of bare skinned embrace. Somewhere between the narrator’s enunciated admission is the space to park our very own exaggerations of possible love or obsession or both, and the petty jealousies that birth thereafter.

“I can see you’ve learned some tricks from those boys over in Europe.”

“If You Want It” meanders with the vinyl static of an Old Dirty Bastard instrumental (I think it’s the tight lipped slam of anything rhythmic) and never lets up, with a fragranced air of rattled piano keys and squealing trumpet. “In the hallway your eyes stay on the ground. Doesn’t bother me, because when the weekend comes around you’ll want it [again] and you’ll get it.”

If you do want this and those pockets of yours (ours) are ever too tight, to the point of finger nibbling on inspection, then fear not, TV Girl has released a self-titled four-track extended play for free download – even in fantasy high formats for “audiophiles and nerds”. It’s a welcome feature and seasonal one. Go get it.

Please be well

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happiness

Silver Mt. Zion, Tra-La-La Band – Horses In The Sky (Live)

I worked for eight and a quarter an hour, doing bullshit work, but I didn’t mind it much because for the first time in my life I didn’t have homework. Every afternoon I would come home to my subleased apartment and plop myself down on the vomit brown loveseat I’d inherited when the Burks’ grandmother had died, and I would put on a record.

I vacuumed, but the house was dirty. Particles of dust would swirl in the rays of sunlight splayed by the window slats.

I would push my shoes and socks off, rubbing my feet together and scratching between my toes.

“What are you doing?” my roommate would demand when he got back from law school. “You’re  just sitting there, existing!”

And it was glorious. The sunlight would fade against the far wall and my feet would chill in the open breeze. Eventually I would put on shoes again and leave my room to interact with humans. But for those moments alone in the swirls dust of my room and with the records idly spinning on the turntable, well, those are the moments I want back.

[Buy.]

Hints, allegations, and things left unsaid

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Kaiser Chiefs – Oh My God

You spend the fall of 2005 and the winter of 2006 happily confused. You didn’t know what to expect when you moved to New York City, and it’s better that way; Even if you had, you would have been wrong. Everything is harder than it should be. This is why so many would-be residents depart soon after arriving; they either burn out and move on or quietly fade into the larger canvas of New York. You won’t figure it all out, but you resolve to haltingly inch closer.

October 7, 2005, the day you add the Kaiser Chiefs “Oh My God” to your iTunes library, marks roughly your quarter-year anniversary in Brooklyn. No one celebrates. In that amount of time, you learn the basic ebbs and flows of New York, which you unironically begin calling “The City” as if it adds gravitas to your largely anonymous presence. New York is; therefore you are.

You find a job at a restaurant in midtown that requires you to clear martini glasses until 2 a.m., 3 a.m., sometimes 4:30 a.m. The bar sits far enough off Broadway that the patrons are actors, not tourists. They tip well. The successful ones come for a drink after their seventh performance of the week as Sir Robin in Spamalot, and then depart. The “actors” drink Jack Daniels and Amstel Light until your manager, fueled by cigarettes, anger, and the eternal frustration of being a New York Mets fan, finally tells them to leave.

Because the myth of being poor drives your decision-making more than reality – you will take a 50 percent pay cut when you get a full-time editing job – you eschew cabs to take the subway home to Brooklyn, behavior that’s partially fueled, you suspect, by the implied romance of the venture. Isn’t the promise of a 4 a.m. trip on public transportation why you’re here?

Invariably, somewhere between 14th street and the Broadway-Nassau station, a debate ensues in your buzzed brain: take the C to Clinton/Washington or the G to Classon? The latter stop almost certainly requires a long wait on the platform but leaves you a block and a half from the duplex apartment you share with two friends from college and a high school buddy who won’t get along in six months; the former doesn’t necessitate a transfer but drops you more than half a mile away.

Inevitably, you stay on the C, emerging above ground on a leafy street in Brownstone Brooklyn that’s ominous when it’s dark and you’re new to the city. You wear stained black clothes that signify you work in the service industry. You’re obviously carrying cash. “Oh my god I can’t believe it / I’ve never been this far away from home,” Ricky Wilson screams out of your white iPod earbuds, the only thing separating you from the blackness. It strikes you that you are rather far from home. And that it’s probably your own fault if you get mugged.

Just as quickly, you and Wilson begin to disagree: “Cos all I wanted to be / was a million miles from here.

Sure, you may walk a little faster, but you’re happy where you are. [Buy.]

I want to know:

Written by

Were my feet always this dirty? Is my hair going grey? Why am I this weary? Are you going to stay? Who gave you this number? Are you alone? When did the children disappear?

*Lonely Planet, by Suddenly Sunshine

TIRED AND SICK OF BEING SICK AND TIRED

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N.B. The censored word is fuck.

And the bells they will ring

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Sleigh Bells – Tell ‘Em

I haven’t listened to music for days now – smack-dab in the middle of the lull, and so am in need of awakened senses; for the smell to return, for the vibrancy of colour synaesthesia to blind me. Tell ‘Em is the crack of finger snap, the dispersing wave of guitar response, the frantic rev of sound that falls somewhere between a video game shooter and an engine on start up. Krauss’ vocal styling reaches keyboard imitation as it occasionally rises to the collapse of a final syllable. Its frantic nature fails to diminish as it carries you aboard a provoked drum machine and surging pelts and belts of tumultuous guitar notation.

[Audio by Sleigh Bells.]
[Visuals by Christopher Anderson.]

Put it to the back of your mind

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Phil Selway – By Some Miracle

Phil Selway, Radiohead’s drummer, is whispering, hushed and lush, about secrets. Here are some of mine:

– I last shit my pants aged 23.
– I once handed the majority of my savings in the form of a wad of cash to a teenage boy in Myanmar.
– I’m not sure love is a necessary ingredient of a successful marriage.
– I once went four months without masturbating.
– I think I believe in a god.
– I would like to spend a weekend or two high on vicodin.

[Buy Familial.]

idea for a short story

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Bloc Party – Your Visits Are Getting Shorter

This song makes me want to wear sunglasses indoors and generally wander around aimlessly reveling in my own awesomeness. [Buy.]