Instead of lights or stop signs, the roads on Penang tend to be one-way streets that merge either left or right onto perpendicular streets at their end. Perhaps it’s not the most efficient way to design a city grid, and it’s certainly not the most navigable, but it gives traffic a soothing, fluid feel. Like I could just languidly flow through streets for hours without stopping, the wind cooling under my helmet and around my ears. Like a pool of olive oil ceaselessly seeping. Like the way an untied ponytail falls into your hand, flaxen and smooth. [Acquire.]
Nobody wants to read a poem
“Funky Blue Note” is a circuit board of stuttering and scrambling vibrations and beats, guided by a visible end to sheer noise, and fascination for neighbouring sounds – the team effort. Something like that, I suppose. Through it I imagine a band of the aged; boys of ninety-three, seated and leaning, whispers and bleating. Each chasing layer of this motley-clique a spasm of their educated folly, sleight of hand and play. I see the sweat, the casual shakes, and the overhead pipe-smoke screen. The competition for air and a final breath. There’s one man on organ, holding an end note with unconcealed wincing mirth. The note, like life, colossal even as it fades. “Funky…” is thick and piercing and if you lean a shoulder too close you’ll catch a void. You’ll catch a pixel among millions, and you’ll grasp at nothing. The short straw. The point – if you can ever devise a pure point from conception to end in music – is surely that of passing on experienced devotion and with it an offering of arrested motion. Own up to the sound; it’s monstrous and demanding.
[Shades-o-blu.]
New ways to blow it
She wasn’t quite sure when it started. All she knew is that one balmy night in the car she became aware that Fred was unnervingly comfortable touching her stomach.
The aircon was on to combat the sticky heat. He made some half-assed joke about babies while driving and reached over to pat her belly, where one would grow if, God forbid, she became pregnant. She pushed his arm away as quickly as she could, but he kept chuckling.
That wasn’t the first time either. It had been happening relatively frequently recently. Once, when she’d made an off-the-cuff joke about her protruding beer-belly, he’d viewed that as an invitation to palm her bulging shirt. Another time he had playfully punched her in the gut. Each time she pushed his arms away and told him not to touch her, and each time he laughed her protests off.
They weren’t dating. It wasn’t that. She knew he was harmless enough. It just felt like an invasion of personal space that she couldn’t convey was inappropriate. She wasn’t even exactly sure why it bothered her quite so much.
The slight she felt was undeniable, however. Each time, she instantly shut down in the conversation and could feel the pressed area tingle with lingering regret. She felt dirty. Which didn’t seem fair, since he was a friend and no one else seemed to ever care, but it was how she felt.
So she examined her motives. It was possible she merely felt tender there, her soft underbelly, directly between and so close in proximity to her breasts and vagina, and didn’t necessarily want to be touched there in public, even in friendly conversation, by anyone, be it Fred or a boyfriend or a mother. Some added weight in recent months surely didn’t help. That point seemed to hold some validity, but felt insufficient. Hypothesis No. 2: She had noticed, through the years, that often how she reacted to touch told her how she really felt about someone — occasionally, an instinctive recoil at the benign arm brush of someone she had previously thought she liked would underline that the relationship had been superficial and that some issue, an unwillingness of the supposed friend to show a softer side or mercy even in tougher situations for instance, would forever prevent her from truly caring about the supposed friend — and maybe her overboard emotional reaction to Fred’s contact with her stomach was her own psyche’s way of revealing her own feelings to herself, not about the touch, but about Fred himself. It was true that she’d always felt some disconnect with Fred, that, as much as she appreciated his perpetually upbeat spirit and overwhelming willingness to prioritize friendship above other important parts of life, deep down she knew the two of them would always approach life with an intrinsic, irreparable difference.
She spent a long time trying to drum up Hypothesis No. 3, because, without it, she was left with the unconvincing first guess, which she knew to be incomplete, and the cruel Hypothesis No. 2, which she wasn’t ready to fully embrace.
When she spent time exploring other reasons, her thoughts usually turned to one of two exercises. One, she would try to imagine if she would have the same reaction to others touching her belly. She couldn’t remember offhand if anyone else ever had, but was sure that at some point in her life someone must have felt her stomach, at least incidentally. Did the fact that it hadn’t imprinted her memory enough to recall now mean that it hadn’t bothered her? Or were circumstances significantly different enough to negate its impact and emotional reaction?
This exercise always frustrated her on two levels. Firstly, she couldn’t imagine her emotional reaction to anyone else touching her belly, a close girlfriend, say, because the unexpected severity of the reaction was what had so startled her and caused all this fretting in the first place. She couldn’t have predicted her reaction to Fred’s touch beforehand either, so mental experiments wouldn’t work. Secondly, she couldn’t replicate the situation with another, closer, friend, because the invitation to touch her belly would release the barrier she felt had been so crudely bashed aside by Fred. It was like the difference between her laboriously rubbing herself in the shower in an attempt to get off versus the magic and tingle and exhilaration and euphoria of someone else’s hand down the front of her pants.
The second exercise she fell back into was trying to figure out how to make Fred stop. She’d pushed his arm away consistently as quickly as she could. She had never laughed with him. She’d told him, immediately after each incident, not to touch her. And she’d fairly obviously shut down in the conversation each time.
She was extremely non-confrontational, but that wasn’t it. She felt silly. Despite being convinced of, if not the validity, then at least the accurateness and acuteness of her feelings, it seemed spurious and pitiful to address the issue separately, as in, to bring it up in a one-on-one conversation as something that needed addressed. She couldn’t even imagine how he’d react to a direct confrontation because she couldn’t imagine herself ever doing that. It wasn’t like this was happening incessantly. It was maybe once every handful of times they hung out – sparsely enough to hope the most recent time was the last and that if she just approached each situation perfectly it would never repeat itself. Furthermore, it sometimes seemed to her, given the intensity of her emotional response combined with her fully acknowledged unwillingness to confront him directly about it, that perhaps a suitable solution was to never hang out with Fred again. If he was never in the same room as her, he’d have an awfully difficult time patting her stomach.
Even considering ending the relationship of course made her think that it was an issue worth confronting him about. But wait, the non-confrontational or the malicious part of her brain (she couldn’t tell which) countered: If the whole issue is that you deep-down don’t like him on some basic human level, then is that a relationship worth keeping at all, let along engaging in scary confrontation over? In this case, the easy road might turn out the best road too.
Of course, the easier road turned out to be the wrong road a statistically staggeringly amount of the time, and so she debated back and forth. Eventually all her interior conflict, exacerbated whenever she was around him, gave her a distant, moody demeanor around him, and the mental shift caused a tangible separation in their friendship, and they drifted apart. Plus he moved 45 minutes further away. Plus she started working out at the gym and that cut into a lot of the time they used to hang out. It was a lot of things. Whatever the reasons, they stopped hanging out as much, until it wasn’t at all, and then some months went by.
They ran into each other in a Ralph’s and he said “hey there” and she said “omigosh” and they hugged and she felt comfortable enough doing that.
I’m a fucking walking paradox
If you’re sitting there, thumbing through the dated magazines on your desk and refreshing bookmarks waiting for something new to finagle your attention away from the slow burning nothingness, then you’re falling apart. You’re a fucking maggot, split in two, writhing on the floor leaving trails of residue on the carpet, watching your entrails seep between the fibers of the threads of fabric desert that go on around you.
Your last thoughts are of what? All the shitty scenes you’ve seen, all the garbage you’ve consumed, all the pelting pellets of rain and the blinding sun, all the bass-cum-concrete pound of sneakers on the pavement?
You’re a goddam maggot, born in shit and writhing in carpet.
“They don’t know me; they don’t get it,” Tyler said of critics. “Weren’t they eighteen years old at some point, just having fun?”
Is that all Tyler is doing? [Goblin.]
Twinkle twinkle, little star
I like this song, but I can’t escape the urge to punch Darwin in the nose. I guess I’ll stick to headphones and stray away from screens, lest I break a couple of knuckles. [Fuckin’ hell.]
Widen yourself ever so slightly, please.
Megan James gives the creep of “Lofticries” flashes of a warmer depth. Whale-dance synth guards otherworldly vocals at a pacing similar to a headache and its resounding confirmation of circulation’s surging birth and plundering death. It dips and dives in repeated bursts that freshen upon constant reprise, and radiates like the dazzle of sun-hit sight. “Lofticries” is an icescape, sharply textured, hazed only by hailstone beats and lullaby strains, peaked by words so enticing: “your precious, fractured skull”, “use your oily fingers”, and “trembling thighs”.
[PURITY-RING. Matt Pasquarello, you are the artist above.]
Oh my life is changing every day in every possible way
The United States – birthplace and home of the American Dream – is supposed to be the land of upward mobility. It’s not. At least not for me.
Within a few hours of landing in Malaysia, I was playing badminton with millionaires and doctors and lawyers. They were better than me.
Last night, an 11pm phone call prompted a bar run to a place called Silk. James had a bottle of Hennessy there he’d previously purchased; they’d sealed it and had it waiting for his return. Wearing sports shorts, I walked into Silk, a club with laser lights flashing and a live band so loud that to communicate we had to scream in each others’ ears.
A waiter named Alvin poured the Hennessy into cups of ice cubes and sloshed complimentary coke on top. He had dyed his hair that reddish blond which is pretty much the only other color Asians can get. He had angular bangs. We gave him a cup and he drank with us. It tasted like syrup; no kick.
James brought drinks to the middle aged men behind us, friends of his mother. The life lesson they had imparted upon him early on in life, he said, was that, when in Thailand, one should always pick the ugliest whore. The prettier the prostitute, the more likely the chance she has or at one point had man-parts.
The second half of the band’s set features some heart-rending ballads. At one point the lead singer holds out his drink to me and we cheers in the air. James says they dedicated the song (a jangly cover of the Carpenters’ Top of the World) to me because it was in English and I’m the only white person in the bar. I drink to that.
There are two girls in the band. A singer with a short light blue skirt and naturally good looks and, in the back, a comely bassist in scuffy sneakers, wrinkled jeans, and a button-down black shirt. Despite the fact that the bassist sucks in her cheeks in an objectively unattractive fashion and despite the strobe lights revealing the bra beneath the singer’s sheer shirt, the bassist will always be more interesting to me than any pretty frontwoman.
As the band launches into a Cantonese version of the Cranberries’ Dreams, we kill the rest of the bottle. Two waitresses come over. One flirts with James, brushing the mole on face and giggling. The other touches my arm and pushes her breasts into me as she yells into my ear. She uses her limited English to indicate that she’s awful thirsty and sure could go for a drink right about now. She wants me to buy beer. I smile drunkenly at her and shake my head.
In the early hours of the morning we strut out the door. I feel like a million bucks. I’m a rock star. I’m a pimp. I’m rich. I’m elite. And, you never know, soon I may very well even get a job. You know, eventually.
[I have no idea where to buy this. Just grab the Passion Pit version and call it a day.]
Confusion
Where have you gone, my Zutons? Where have you been? What might you have seen?
“From day one I led you on.”
Oh, man and your reputable wit. You failed charmer. Pritchard’s double-bass – one quarter of a band so usually drowning in pep – is slavish to the emollience of the song’s tearaway from harshness, certainly as a fighter to the vocal severity of one Even McCabe, a voice prone to a Liverpudlian laden accent that just about avoids creasing (or staining) the almost caressing tones and approachable quality.
The futile balladry of “Confusion” plays out in the slight gambol of a Velvets-scented guitar solo (Reed and his radio pop), atop instrumental drone, serving as a weakened rebuttal to a whimsical moment of saxophone seduction and rare playfulness, even if entirely composed. “Confusion” is potentially endearing, potentially a treat.