There’s a band-aid on her thumb

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Iron and Wine – Belated Promise Ring

They lay, heads next to each other, feet apart, on the grimy pavement of the parking lot atop the hill. A dormant crane’s neck points straight up into the sky nearby. It’s dark. They pass the taut line to a kite which sails high above them, invisible beyond the gray night clouds, back and forth. The string vibrates in the wind, whistling. They share a cigarette she had rolled, its embers crisscrossing the string during the switches. I wonder if she likes me as much as I like her, he thinks. She lifts a knee bared by a hole in her jeans. They trade cig for string, hands touching in the air. I’ll never feel as free or unencumbered as this kite does right now, she thinks.

I want you in my room

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Hug it out, gentlemen

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Too much bedside whiskey

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Lisa Hannigan – A Sail

Dear Daniel,

Considering the fact that everyone in Ireland knows everyone else in Ireland, having chatted pleasantly about how very green the color green can be over pints of Guinness, please convey my earnest marriage proposal to Lisa Hannigan.

Much obliged,
Zac

[Passenger.]

MANILA

Written by

Meursault – One Day This’ll All Be Fields

“I’m torn,” Aspin sighed.

“Torn, huh?” quizzed Manila, halfheartedly, as she thumbed through the National Geographic sitting on an angle to the neatly stacked pile beneath it on the plywood table of the cramped waiting room slipping into the corridor that lead to their general practitioner’s office. It wasn’t the most recent edition. It was the one that required nothing of her. No sifting through the months, years, searching for the photograph that met best the magazine’s signature yellow frame. She never found a means to settle her nerves in waiting rooms. It bothered her that the idea existed, was promoted, became normal in buildings across the world. She had yet to meet somebody who felt comfortable in them. “Where?”

“Between.” Across them sat a miserly man, his wrinkled gaze begat the defeat that drowned his posture. His coat-jacket sat on his knees, pressed tightly to his slacks, the right sleeve reaching for the lint-ridden carpet. Aspin’s fists clenched. Released. The mismatched tones of skin on his fists cuddled tightly against tired veins.

“Yes, between what?” Manila was impatient. It wasn’t commonplace for her, Aspin knew, but he knew also that she had never felt comfortable in waiting rooms.

Even he wasn’t sure what he meant. Manila pinched the page of the magazine: her tension on the edges of the photograph skewed the exterior north wall of the Sera monastery in Tibet, it’s surrounding mountain threatening to crumble from the pages onto the slanted tiling of it’s roof. The monks stood unchanged, their expressions warm, their demeanor betraying nothing of the impending destruction around them.

Aspin reached out and felt for her knuckles, his tenderness prising her clenched thumb and forefinger from the red switch of chaos they pinched against. “I’m not sure, my dear. It’s just a strange feeling,” he soothed.

Not a month had passed since he had been rustling through the refrigerator of their apartment early in the morning, searching for something to sate the niggling pull of his stomach, tugging on his insides like a hook through the upper lip of a restless, impatient carp. His thoughts were disjointed, in strains of coupled words, like “unpaid rent” and “broken lock” and ” dirty carpet” and “sleeping woman”. He eased the utensil drawer back into place. His ears prickled at the sound of Manila’s soft snores. Not abrasive, he thought, but more as if she turned from headstrong woman into fidgeting hummingbird as dusk fought for dawn. He fumbled with the bread slat.

Manila rested the magazine on top of the pile. She nuzzled the cuff of Aspin’s collar, his scent lingering on the fabric. “Are you alright, Aspin?” She tended to use his name when she was concerned. A year earlier they had met at the housewarming party of a mutual friend. Ezequiel had introduced them, smugly joking that with Aspin’s light frame and slender expressions they might be best girlfriends.

Aspin grimaced with the ill-timing of Ezequiel’s humor.

Manila, in her casual jeans and open flannelette shirt escorting an unironed singlet, had an ebullient charm to her movements. It was Aspin’s absent-mindedness that had brought them together, speaking briefly early on he had pressed his palm against the bars of an electric heater and, without realising, burned himself. He cursed and nursed quietly his hand against the cool fabric of his shirt. Manila grinned, vanishing, a blur through the hallways that snipped into the kitchen. Returning with a wet tea-towel, she held it against his irritated skin and, still grinning, carried on with the conversation. “I’m okay, Manila,” he assured.

Lips pressed to his sweater, Manila recalled the night a month ago. She had been asleep when she awoke to a tumble, a sound in the kitchen. Reaching instinctively for Aspin, she found only creased bed-sheets, a duvet deflated by the disappearance of its person. Pulling together her nightdress, she wandered into the hallway, lights flicking on as she passed. “Aspin?” she queried against the empty walls.

It was the silence that frightened her. The silence that comes with the nightfall where creatures and persons alike tire and rest.

She heard rattling, a bundling sound like a group of children dashing across the courtyards of their school. Patters of steps, in tandem and out. Aspin had fallen, was seizing. He had collided with the corner of the bench-top, an unseen wound bearing blood along the length of his skull. A soft, high-pitched sound escaped her, foreign to her throat. It was a dash blurred more so than when they first met, when he had seared the skin of his palms and tried tirelessly for nonchalance. It was there, cradling him, pressing her weight against his convulsions, that the silence stood steady, unwavering.

“Mr. Vasquez,” called the young, unruffled receptionist from her desk cluttered with office filings, portable drawers, and a computer running spreadsheets with listed appointments, administrative notes, and Solitaire minimised along the taskbar. It was always at this point of the afternoon that she could feel the wear in her calls, could feel her fingers lagging with each keystroke. “Dr. Avielo will see you now.”

Manila grasped Aspin’s hand in hers, pressed her thumb tightly against the fickle hairs on back of his fingers. [All Creatures Will Make Merry.]

“Pull the mighty thorn, Androcles!”

Written by

The Smiths – The Boy With The Thorn In His Side

When mere yards from one furnishing a gun, three shots invading the air out of view and a further four accompanying lost brothers in focus, you get a little giddy as you turn to bring the whole scene to sight. It’s a fool’s giddiness for an unfolding stage play of chaotic consequence.

At an intersection they came bounding out from one of those 24-hour liquor stores where they sell milk the day it’s set to spoil and where the mouth of any plastic bottle tastes like the air of a stale holding area; that or rat piss. A stone’s throw away, I’m sure I could throw a stone that far, before the first loud noise gave birth, I set the gas nozzle into the car. From the entrance they sprang, between the store door and the car door shots were fired, aimed at nothing in particular, and somewhere in the darkened car park were cars, presumably theirs, which they started or had started and then sped away, unlikely to outrun their adrenaline. That was it.

I’ve seen a gun before. I’ve seen a shotgun before and I’ve seen it used by my father. Once a farmer, he used it with the intent to outfox prey. I remember in our garden, propped against a wooden stile we made together one summer, was a square of wood with one red dot in the middle he’d put there with sheep marker spray. “Watch this. I’ll hit it, that red patch.” And I watched as he kept his promise. Bang! The red dot was gone, replaced by a hole in the wood, and the excitement of the gun and the noise and the promise was nothing but a treat for a seven-year-old boy. The kind of excitement that comes when clueless to consequence.

The men from the store, they were all young, boys I suppose, which puts them closer to my age and closer to my neighbouring school desk than I’d have hoped for them, lanky and fidgety in their spree, but for the one yielding the gun. He held it with the assurance and studly poise of a promotional still. Everything about him – from his clothes to his turn – was fitted, like a better specimen of man, like a much needed improvement, but then one whose crutch is not sarcasm but weaponry tends to stand in inflated profile when offered to hungry eyes. I’ve seen a gun and its effect before, but I’ve never seen a medley of guilty heads on the run, dodging women with faces drawn so scowl, and people in cars, steel machines, shocked still at green traffic lights to many a moment’s pause. It feels so immeasurably silly to be scared of another being, as fragile as we are.

This is a story told with failed exaggeration, you’ll have gathered – an obese spit at the excitement of storytelling. Seven bullets sprung to damage only the air’s used and useful existence; without carnage, without death, without sweat or souvenir grievance. I saw it and it was a scene and for the time that time needs to become past, between thinking you’ve caught the fly in your bare hand and seeing you haven’t, it was over, void of any lasting imprint. [The Queen Is Alive.]

Pray for the nonbeliever

Written by

Clem Snide – Pray

Major holidays invariably become about the vice directly opposing the moral that the holiday is supposed to champion. Christmas, once a celebration of humanity and the squalor of feces-scented births, represents consumerism and corporate interests. New Year’s Day, ostensibly about fresh beginnings, starts in the same tired hangover haze as any given Monday.

So of course all of Ramadan’s self-discipline virtues have quickly made way for my favorite vice of all: gluttony. Except for the pious, fasting month is all about the food.

In the small restaurant across the road from my parents’ school in Indonesia, tarps hang low out front, swaying softly in the wind. Duck under them and you’ll meet a swarm of atheists and Christians and Hindus, picking over what’s left of the chicken and eggplant and rendang. Business easily triples during Ramadan.

In the alley down the way from my condo stalls have set up permanent shop along both sides of the road, encroaching out onto the street. Traffic is bottlenecked, the curses of taxi drivers audible. Zigzag between the humming, waiting cars and you’ll see martabak and brightly colored juices in plump plastic bags and sweaty men fanning the smoke off of the sate they are grilling and fresh mangoes and several shades of orange or red chicken. Families point out what they want, hand over blue bills, and then scuttle home to devour the delicacies once the mosque signals buka puasa (literally, the opening of the fast).

I have three memories of Ramadan from my childhood.

1. We’re at our favorite sate place, a tiny stall that rolls into place on the attached wheels every evening. The six members of my family take up 80% of the available seating. The cook’s two daughters help out, serving drinks and washing dishes; they are probably younger than me, maybe in middle school. As the mosque blares to indicate buka puasa, they each double-fist huge glasses of tea, downing one cup in a gulp and barely bothering to breathe before inhaling the second. I laugh and then I think about how dusty and raspy the back of my throat gets when I’m thirsty and I self-consciously sip my own glass of tea.

2. We’re driving through the night, on the move, bouncing over the potholes and crumbling bridges and veering around cows and goats. Our jeep breaks down in the middle of no where and Pops can’t fix it. We tie it to a passing Kijang (think a boxy cross between a van and an SUV) using rope and a length of bamboo, and he kindly drives us to the next village. As we wait for the mechanic to fix our ride, his family invites us into their home. It’s 4am, maybe 5. They have a lavish feast spread out on the floor in the living room; we sit on the floor and pile opaque glass plates high, using our hands to shovel the food into our mouths. Out the open front door, I can see the gray mist of dawn approaching, and I feel a peace. “So this is how they do it,” I realize, imagining millions of homes rising wordlessly before the sun to feast in the still, silent air.

3. It’s Idul Fitri. Because of a delightful split within Islam, it’s the first of two days. Most of our town, Muara Teweh, celebrates it on the second day, but the best cooks all seem to be among the camp that celebrates early. The custom is that all the Christians eat at Muslims’ houses on Idul Fitri, and all the Muslims get to visit the homes of Christians on Christmas. Mom’s aerobics teacher has the best snacks. Pop’s badminton buddy gives us non-alcoholic beer, which we drink with curiosity. We visit anyone we’ve ever talked to on the street, eating half a dozen tiny meals throughout the day. I remember the tiny green logs with cinnamon on the inside and how the steam puffs out of them when you puncture one with your teeth. I don’t think they have a name for those in English. [Hungry Bird.]

Boys like me

Written by

The Waitresses – I Know What Boys Like

Boys like me.

How do you reconcile a kind of lacklustre pedantry with the clammer for silliness? “Nah-nah-nah-nah-nah!” Like that, most probably, although the element of lackluster plays its part. At least that’s the sole gobbet I’ve learnt from “I Know What Boys Like”, a song whose own jitteriness – most often cause for concern – might be its staunchest discerning feature. The quips of their skittering guitars, and a certain bounce and groove that filters through an almost suffocated rhythm section, gives the sound an insistent energy and it’s enough to protect you from feeling guilty. It is mere fun, after all. Music, especially within the scope of Pop music, is the innocence of joy made famous. Shed anonymity and succumb to the sound, because they know what you like, and it’s this. “They want to touch me; I never let them.” Intoxicating. “Sorry I teased you.” Assume the erotic. [iTunes.]

I see that you think I’m wrong

Written by

TV On The Radio – Will Do (Mylo Remix)

So here’s my secret: I like to drive drunk. Very little exhilarates me as much as taking Maggie for a spin while buzzed.

Not cars, mind. That’s dangerous. There’s something about two-wheeled vehicles – an inability to injure others, for a start – that justifies it in my mind.

It started back in college, I think. A girl named Teagan started working during my shifts at the media library. Aside from rushes at 4pm and 7pm, we had nothing to do, so we would trade off sharing music. “The only reason I dated Michael was because he played me Daft Punk the first time we hung out,” she said, and hit play. “He was a douche.” The white tights she wore drove me wild. Rhey, my roommate, bonded with her because they both saw a therapist and used to grind their teeth in their sleep. I’ve never met a girl so outgoing.

After playing hooky from shift to attend a Ron Paul rally together, we started hanging out outside of work. I’d pedal my bike down to her place on Thursday nights to watch new episodes of The Office. We’d buy a six-pack or two. “You fuckin’ pussy,” she’d say. “You can’t break the seal after the second beer.” I’d hang my head. Then we’d watch the episode and laugh and laugh and I’d barely remember it the next day.

Every night I’d ride my bike home drunk. “Whatever,” she’d say, still seated, as I waved goodbye and stepped out the front door to unchain my bike from her fence.

At first I was astonished: I could stay balanced inebriated! And I didn’t clip any of the pedestrians milling around our college town! Soon it became routine for me to ride my bike, no matter the situation: drunk, three feet of snow, whatever – I was pedaling away, huffing and puffing to the townhouse that sheltered my belongings a few minutes out of town.

That was when I realized being drunk doesn’t automatically mean you’ll crash. Now that I use Maggie, a 2004 Suzuki, to get around, it’s taken a step up in speed. Driving drunk on a motored bike is all Whoosh, Zoom, Whirr. I feel like I’m in in Tron – the lights are all elongated and streaks. Whoosh! The engine purrs and I can feel it vibrating in my rib cage. Zoom!

At some point my kid will read this and admonish me. Until then, well, fuck yeah, this is the best thing fucking ever. [Chemical Peels.]

She’s right there!

Written by

David Bowie – Fashion

Not even the rain roars with such temper, bareback aboard amenable air. Who gave it permission to speak like that? So curt, so temperamental. It wasn’t always like that. Not even the rain employs short hand when cooking matters of the heart, though it was usually always like that. I wondered if this frost – newly announced, slowly creeping – could stop loving so swiftly. Yes. I wondered if its rising smile could scupper the reality of this tradition of tragedy. No. It’s love: its end, its fashion. [Scare.]