Archive for the ‘Tunes’ Category

Sickly be

Written by

Charlotte Gainsbourg – Me And Jane Doe

He spoke in tongues. Complete and utter babble is its only true description. The never approaching cul-de-sac of words and cliché chorus. And he’d speak them while waving cups full of tea through flailing arms – as if active at a podium – and it’d cause a shiver up her spine every time she would hear the faint thump of liquid hitting the cream toned carpet. Thump. Stain.

Are you prepared for death, friend? She asked this while lifting his legs to sweep away bits of bread and half-chewed pills and tiny balls of paper, formed when he’d tear strips from the newspaper and roll them up in his tongue, and then tried to spit or lob them into the open fire, but he didn’t have the energy to win. Even against his own self he’d lose. She’d ask this often, because it was an important question, but at no time in her recent memory had he understood or took notice.

“Does it matter?”

He had responded.

We got lucky and then time passed and we got unlucky. “Tell me one who had an ending any different.”

Startled by his fluidity and senses, she knew now was the time to approach his soul. She asked him was he ready and he said he was. Running blood; it’s a finite feature.

He lay stretched in the chair, kicked off and away his slippers, and adjusted the elastic on his pants which had tightened around a swollen stomach. She pressed it firmly against him and put a bullet through his temple.

She called the local police station, informed his youngest daughter that he had finally returned for brief moments and the opportunity could not be missed, cleaned up whatever she could before they came, and crossed his limp arms. She didn’t want to hassle anyone, not if she could help it. “Leave this room as neat as it was given to you,” she muttered. And she did so over and over until they came. [Purchase.]

I was like, “Oh.”

Written by

of Montreal – Our Riotous Defects (f/ Janelle Monáe)

If you put a human being underground with no access to sunlight, he’ll revert to a 25-hour sleep schedule.

Brad had learned that in a Psych class he audited once. Or he’d read it on wikipedia. Either way he was pretty sure it was true.

I mean, why else would he be up at 4am sipping a Jack and Pepsi? It made sense, really. Every day your body was denied an hour of sleep. Or wasn’t tired yet and wanted to stay up an hour more. Either way, no wonder everything was so off.

Surely this was to account for Bets turning into a crazy bitch a few months into their relationship. Maybe if they’d lived together underground after a nuclear apocalypse she would have been fine, singing in her husky voice as they toiled to recreate societal norms one 25-hour period at a time.

*sip*

Nah, she was probably just crazy.

[Buy False Priest because Rob says it’s pretty alright.]

(Picture drawn by Dave Eggers.)

Lovefool

Written by

Imogen Heap – Hide And Seek

Should you allow Heap’s voice a visual playmate, a celestial ghost or a spacial cloud, then you could imagine it diving into and upon itself. Dipping and thrashing with silk ease like playful dolphins. Emerging from a sun bounced ocean surface before plunging with seemingly languid ease into black holes, and spinning in and around crowded souls, coaxing them to fun or huddled hope. This abounding and daring multi-layer of a cappella stir, a motion blur of effort, is entirely gorgeous, even if founded on crestfallen confusion: “Blood and tears, they were here first… It’s all for the best? Of course it is.” [Purchase.]

PLAY

Written by

Moby – Honey

Frenchmen David Belle, son of “an acrobat and a hero fireman” according to The New Yorker, developed parkour in the 1990s after moving to a commune in Lisses. A practitioner of L’art du déplacement (the art of movement) known as traceur (traceuse for females) seeks to get from point A to point B in the most economical way possible. This requirement puts the discipline at odds with freerunning, a sport made famous by former Lisses resident and parkour original Sebastian Foucan. This spinoff of Belle’s brainchild allows, nay encourages, aesthetically pleasing actions, which sometime come at the expense of reaching a destination. Moving backwards is anathema to any traceur. And flips, while pretty, are not frequently inefficient.

The Internet transformed parkour from a fringe pursuit into a worldwide phenomenon. Belle appeared on BBC One in the promotional film, “Rush Hour.” In the short advert, he ran, jumped, and flipped – with purpose – through London before arriving home on his couch in time to watch television. The discipline spread from Britain to the rest of Europe and, inevitably, America. Belle, Foucan, and other traceurs played parts TV and in movies. (Daniel Craig chases the freerunning founder through a construction scene at the beginning of Casino Royale. Foucan, ironically, used a stunt double named Curtis during some of the shots.) Mark Toorock, founder of American Parkour and the country’s most visible proponent of the discipline, runs The Tribe (“Certified Masters of Astonishment”), a group that has appeared for Nike, ESPN, HBO, Mountain Dew, and other brands. If you vault it, the money will come.

Parkour’s rapid rise didn’t come without risks. Videos spread faster than the instructional manuals that didn’t exist, leading to injuries around the globe and even the death of two French boys. As it grew, however, the community focus of the practitioners ensured that new recruits received proper guidance. There have been accredited courses designed to teach the fundamentals. American Parkour’s website includes a series of articles detailing practice drills and exercises.

Despite the increased safety efforts, danger – of course – remains part of the appeal. In one of the most watched clips on YouTube, Belle falls while attempting what should be a simple, at least for him, vault over a concrete walkway. After discerning that the cameraman he nearly crushed is okay, Belle laughs off the ten-foot plummet and walks up the ramp, eager to try again. [Purchase.]

WAITING FOR THE SIGNAL

Written by

Fanfarlo – Harold T. Wilkins or How To Wait For A Very Long Time

The Wilkins kid was weird. He would spend his evenings reading these dusty paperbacks he’d found in his grandmother’s attic and drawing pictures of Ra melting in a microwave made of wood. He wouldn’t speak with the neighbor’s kids and if they did cross paths he would yell shrinking heads, shrinking heads! at them until they ran away, sobbing.

[Buy Reservoir.]

All of my dreams fall like rain

Written by

Tom Waits – Downtown Train

He put out his cigarette and sighed.

He dumped the ice from his drink out on the street and went back inside.

Through the sheen of the window, he could see three girls in bikini bottoms and t-shirts smoking and giggling. They were barefoot and drunk.

In Google he typed, “How does one make life decisions?”

Some guy was yelling, telling the girls to get the fuck out of there, that they weren’t welcome at his apartment, the drunk bitches.

216,000,000 results.

He cleaned the bathroom, swept the living room, dusted the shelves, scrubbed the kitchen.

He flicked on the garbage disposal and jammed the brush down into it just to see what would happen.

[Buy Rain Dogs, please.]

•• / •-•• — •••- •

Written by

Gayngs – Faded High

bzzzzrp. program loading – 1%. beep. beep beep. 17%. whrrrrrrrrrrrrrring. 56%. initialising thought matrix. copying emotional database. 72%. installing How_To_Love.php. saving back-up to hard disk. 99%100%.

“Welcome to Earth, android. We hazard a guess that this is your first time. Don’t be alarmed. The pink-fleshed bipeds strolling along the ground are mostly harmless and stupid, though be aware that their stupidity can sometimes lead to grave acts of violence. But they are mostly searching for love and affection. This is why you are here. You will love better than any before. You will care for your Other Half with the utmost compassion and respect, even if that means running out to the corner store in the early hours of the morning in only your bedwear to buy a loaf of bread for breakfast. You have all the tools necessary. All programs have been installed successfully. Good luck.”

[Buy Relayted.]

Givers – Up Up Up

When you’re down down down get up up up in the clouds. [Buy.]

(photo by Chenie)

MY FORM IS SOMETHING ODD.

Written by

Frightened Rabbit – Nothing Like You

“‘Tis true my form is something odd,
But blaming me is blaming God;
Could I create myself anew
I would not fail in pleasing you.

If I could reach from pole to pole
Or grasp the ocean with a span,
I would be measured by the soul;
The mind’s the standard of the man.”

— poem used by Joseph Merrick to end his letters, adapted from “False Greatness” by Isaac Watts.

[Buy The Winter Of Mixed Drinks.]

(Sam thought you might like this.)

START OF SOMETHING

Written by

Voxtrot – The Start Of Something

The exact locations of the minute and hour hand aren’t important. Suffice it to say that you’re somewhere between drink three and six; that time of night when these things begin.

She’s been in the bar since your second IPA, the one your boy picked up as payback for getting his dinner. Red hair, chopped and dyed at a Hayes Valley saloon in exchange for too many of the tips she earned pouring unending cups of coffee and recommending the spinach, chorizo, and feta omelet. The layers of the cut complement the layers of clothes she’s wearing, that they are all wearing this fall.

Half an hour ago, there was a smile directed, almost certainly, at you. You looked at her, then past her, then back to your drink, knowing it was only a matter of time. There was an expectant possibility in her blue eyes and oval face. You try, and fail, from letting it show up in your posture.

You get off your stool and walk over. The journey of 1,000 miles begins with a single step. Then again, so does the journey of a single step.

[Buy Raised By Wolves.]

(Noah asked if we might have him around once a week. We were happy to.)

Among the filthy; filthy, too.

Written by

Dirty Beaches – True Blue

It’s a song through grainy sands: a sound of muffled clarity. You remember placing and clicking that tape into its deck, and who has forgotten such magic? None, I hope. When the song would play you’d hear everything. You heard sounds that weren’t ever present and you saw colours in mushy pixels, too, but you can’t do that anymore. But then there’s True Blue. The cloudless tune.

The consoling jangle* of rhythm guitar passes play through to its leading sister, sensitive in her approach to the riff, with an almost double-bass delivery. Pluck and boom and soft fizzle…

Swallowed and consumed drums swim in shallow pacing, but it can be felt, and the sound won’t move without it. All backing to the most present of voices. And what of such vocal impression? “I’m beggin’ you, please.” :53. To keep pace with a Ronette, when your own effort is distanced from the original, is to stand alone with strength. That quick-fire mouthed gun; the lip spit-shake chorus change of ‘true blue’ to ‘TCHUBLU!’ – it’s all a whipping paint brush, spurting fantastic and tragic colours on the soon-to-be canvas.

To be a singer is to surprise swoon, for there is no greater charm. True Blue, it belongs in the arms of the smaller fishes of the more focused ponds. It belongs to my arms and their own anxieties. Christ, I must be blunt, hear me out, for this song is majestic in its nature. [Buy.] [View.] [Glare (At).]

* Do you hear Christmas, too?