Archive for the ‘Tunes’ Category

Oh my Lord is a voice

Written by

Blackout Beach – Deserter’s Song

I’ve been saying the Jesus Prayer lately.

I picked it up from Mitchell, a character in Jeffrey Eugenides’ novel The Marriage Plot, who got it from Franny, a character imagined up by J.D. Salinger, who nicked it from The Way of the Pilgrim. It goes:

Lord Jesus Christ, have mercy on me, a sinner.

Like everything passed down through centuries of jumbled church doctrine, it’s somewhat obscured. The original reads: Lord Jesus Christ, Son of God, have mercy on me, a sinner. But Mitchell says it my way, and that’s what I started uttering under my breath every time I ride my motorcycle or stress about the future or wonder if she likes me too or brush my teeth or notice my tan in a mirror.

At first it was clunky. The cadence didn’t work for smooth repetition. But it somehow sleeked out to become an operable mantra, and I’ve been saying it frequently for a few weeks. Mitchell says the prayer “at moments … when the inner tranquility he’d been struggling to attain began to fray, to falter.

“Mitchell liked the chant-like quality of the prayer. Franny said you didn’t even have to think about what you were saying; you just kept repeating the prayer until your heart took over and started repeating it for you.”

Mitchell latches onto that idea because he doesn’t like the words. I like it because I still have qualms with prayer in general, and mystic bullshit feels preferable to materialistic petitions, especially at this time of year.

Siskiyou – Always Awake

I had been playing badminton for about two hours. I’m disgusting when I exercise. I sweat far more than is socially acceptable; if I don’t wear a headband, the salty discharge stings my eyes so bad I can’t see. My clothes, thoroughly soaked, cling to me, letting off a nauseating odor of bad eggs and ass. I pulled my left hand through my beard and flung a handful of sweat onto the court beside me, murmuring the Jesus Prayer.

I don’t know everyone’s name, but I’ve been coming too long to ask now. I just say hi and smile my stupid white smile and it’s never a problem. In my head, my partner’s name was Betty. She’s married to Gray Pants (people tend to wear the same clothes), who was in the middle court playing with Uncle Tony, who looks a lot like Chi Yuan’s mom’s friend, Tony. (It’s not racist to say they look alike if you can actually tell Asians apart.) Betty and I were playing Doris, this highly competitive bitch I take exceptional joy in shellacking, and Tetric. I’ve asked Tetric, an overgrown high schooler who shoots from the elbows, his name several times, but he just giggles through his braces and I still can’t make it out.

We should have won, but I could’t break out of a fugue. I kept repeating the prayer. It filled my head like a haze. Usually keeping score clears my brain, but in this case the numbers became futile flashlight beams strobing in the thickening fog. My legs were rubber. I continually forgot whether it was first or second serve (I absolutely loathe when others do this). I swung my racket and struck only air, the birdie falling lightly beside me. All the while, on the chapped edges of my lips, on the tip of my pulsating heart, the Jesus Prayer purred metronomically, a sentient mind of its own.

We lost, 15-13.

[Fuck Death / Keep Away The Dead.]

Don’t you monkey with the monkey

Written by

Peter Gabriel – Shock The Monkey

Gabriel’s “Shock The Money” is a thick crust – the kind I save for last – riding bareback on the complete desertion of normalcy and popular tenderness that so usually accompanies POP!, wafting in the cool breeze of the keenest of tendencies, on course towards engorged intricacies and colourful palettes. Ah, it’s a song! Oh, it’s so pleasant. And so are the occasional splutters of coughed “Shock!” that stick out like the suckable sore thumbs of “Monkey”’s gut bass. At best your ears will propel outwards from reality, impelled towards these fresh and lush surroundings of rapacious layers of sound. At its worst the experience of listening is still very much unlikely to leave you aghast, writhing with melancholy for lost minutes. After all, it’s just a song. You, “You throw your pearls before the swine.” [Art by Julien Pacaud. PG4.]

What’s your dick like, homie?

Written by

Azealia Banks – 212

T-shirt slogans seen recently in Penang, Malaysia:

“Live stinks”
“I (heart) girls on top”
“Nothing is as fun as sex!”

Big bad wolves

Written by

Short delights

Written by

Motorcycle diaries

Written by

Zola Jesus – Vessel

1. In full acceleration, Maggie, my motorbike, lags a jolt. Then another, like someone yanking a ponytail from behind. The dash doesn’t light up so I can’t check until I pass under a street light. Yep. Out of gas. The backwards jolts become more frequent as Maggie gasps for gasoline.

I think. Where is the nearest gas station? Can I make it? I cannot. She sputters and coasts quietly through the thick night. I’ve never run out of gas with Maggie. I run my hand down the frame looking for a reserve switch. All I find are greasy fingers.

Welp. It happens. I take off my helmet, resting it on the right mirror, and begin pushing. I figure the station can’t be more than a kilometer ahead and I have my headphones, so I’ll be alright. I pass in front of Gurney, mostly closed. Two taxi drivers watch me quizzically then go back to chatting.

A man on a scooter pulls up next to me. “What’s wrong?” he asks. Oh, just out of gas, I say, taking out one earbud. Is it much farther ahead? He says not far and tells me to get back on. I’m curious. Slowly, with one hand on the Maggie’s back bar, he starts us off. Eventually we pick up pace. I’ve never done this before. He asks me where I’m from — they all want to know where I’m from — so I ask him too, as we coast at 40 km/h, his head slightly behind mine and to the left. He’s from here. Where else would he be from?

At the gas station, he gives me one last shove so that the momentum will carry me to the pump and the accelerates away. Wait, I think. “Thanks,” I yell out into the night. He doesn’t hear me. He’s gone.

2. I’m at a stall. Or rather, it’s a collection of hawker stalls with a tin roof haphazardly thrown over top. The char kway teow is soupy, wet. Char kway teow should be dry. The thing about tin roofs is that you can hear the rain immediately. The first few drops.

There’s nothing to do about it. I walk to where I parked Maggie and bring my helmet back to the wobbly table. I make myself eat half of the plate and then I light a cig.

An older man walks by. He stops. He looks at my helmet and then over to where the motorbikes are parked, all of them wet by now. “You cannot go,” he tells me. “Yeah,” I say. “I’m stuck alright.” He jabs a finger into my shoulder. “You cannot go. When the rain stops, then can go. Until then, cannot.” I nod. That is indeed my plight.

I leave during a lull in the downpour, but it still manages to soak me before I get home.

3. My favorite image in Asia: a man, cig in lips, driving a motorbike casually down the street, puffing away out of the corner of his mouth. For some reason these guys always have their feet pointed outward on the rubber stumps that serve as footrests, making minimal contact on their heels. There’s no rush. They’ll get there when they get there. [Conatus.]

a tunetheproletariat guide to
HALLUCINATIONS
(drug free!)

Written by

Inspired and the Sleep – While We’re Young

INGREDIENTS

(1) table tennis ball.
(1) pair of headphones to a device capable of MP3 playback.
(1) device capable of MP3 playback.
(1) strobe-light – or an iPhone that has a flashlight/strobe light app installed.
Optional: (6) bottles of beer* – the convenience being that beer often comes sold in packs of six.

METHOD

1. Plug headphones into MP3 device. (It’s not essential that you use an MP3 device per se, but this is more enjoyable overall when you can later align it with a particular song, or band, that accompanied you during the process.)
2. Plug headphones into ears. Left into left and right into right, if possible.
3. Prepare that strobe-light/strobe-light app. Slide your fingers across your oil-greased screen and watch the glass casing smear outlines of your thumb across it’s meticulous display.
4. Start drinking. To open bottles, standard definition ‘bottle-opener’ is preferred. Also suitable: a roommate’s army knife (why would you have an army knife?), a neat kitchen counter (ha!), a sturdy set of canines (though the idea of pulling an aluminum cap from the confines of a long-neck’s tip is frightening), a computer desk, the corner of the wall, or a rippling set of abs still centered by a hairy bellybutton.
5. Slice, with the silent to-a-hair precision of a caffeinated Samurai, the table tennis ball into (preferably) even halves, though thinking back this is probably not altogether important.
6. Tape the tennis ball halves over your eyes. Seriously.
7. I probably should have mentioned that you will need to have the strobe-light appropriately positioned in front of your eyes before you tape over them. I figured it was obvious. If it wasn’t, I’m sorry, but still quietly amused by your situation.
8. Listen to music. Watch flashing lights. Drink warm beer.**

*
Alcohol isn’t essential. You could get this done without alcohol but hey, drinking makes activities like going to a nightclub bearable, so god knows what it could do for interesting afternoon time-wasters! I tried this once, situating myself under a coffee table in the apartment’s living room, and though I did not hallucinate, I went somewhere. I went somewhere for a little while. Until my roommate – and his friends – walked in holding three boxes of pizza and found me under the coffee table with table-tennis shells taped over my eyes.

**
Inspired and the Sleep’s While We’re Young is not the song I would listen to when doing this, no. It is the song I would listen to afterwards. The song that clicks along the tiled kitchen floors, that clacks while you bashfully help with the pizzas, that smiles when you’re bearing the cuckoo-grin of somebody with an afternoon free to themselves. If, as things do, this doesn’t work, then this song will render that sadness inconsequential. It will remind you, in both your best-dressed candor and your fuck-off bleariness, that an afternoon free of expectation, an afternoon unreserved and ripe for shenanigans, is a good thing, is always a good thing. [Listen.]

(illustration clara terne)

I ain’t no hero in the night

Written by

Wolf Parade – You Are A Runner And I Am My Father’s Son

We named our motorbikes. Maggie and Ruby and Banshee and Ole Betsy. We named our dogs and cats and aloe plants – Spots and Mrs. Whiskers and Chloe. We gave our children three names each, then bequeathed them nicknames – Tike and Junior and Son – and then let their classmates nickname them again – Crusty and Stud Muffin and Fishy.

But we have yet to name the feeling of sitting on the balcony, cigarette ash dripping onto our laps, swelling with emotions like love-sickness and loneliness and peace and patience all at once, with roommates downstairs hunched over the dimly flickering lights of their laptops, and friends on the way to go to a movie but knowing we’ll only talk blandly using the languages of sex and snark, and the people we love scattered in isolated pockets around the globe living separate lives. [Norman soundtrack.]

Real human being

Written by

College – A Real Hero (feat. Electric Youth)

I’ve found that selective electronic music now satisfies my every plea for a soundscape, without fail, without whimper. Vibrant palettes of sound frisking on the borders of the otherworldly, aiding only the most expressive of vocal deliveries. The fire proof blend of the banal and the gut. “A Real Hero” is a song whose simplicity is just about enough. The horizon isn’t dreamt of, nor are there radio looped beats so obtrusive as to quench brewing enjoyment. To its benefit, it falters in the demand of one’s attention, unlike the hypnotic crush of any offshore wash. There’s timely shimmering detail in the offing, enough to make content event the most ardent of listener. The cold and steady layering of keyboard is apt staging to a voice sophronized to the point of definite believability. This voice, part sole provider of emotion, part synth actress, conquers the chorus, with the contorting cadences of her voice so sensational and essential to the quashing of synth and its fakery. A voice so sultry yet all at once so explosive. “You have proved to be a real human being and a real hero.” [155 people or more.]

You leave me no choice.

Written by

Tame Impala – Half Full Glass Of Wine

One-nighters are easy: go to bar, meet girl, talk to girl, kiss girl, take girl home or – preferably – to her place, leave, number: optional.

Monogamy: meet Girl, talk to Girl, connect with Girl, divulge feelings to Girl, maybe make out with Girl, exchange numbers, see Girl for coffee, wait for particular night to sleep with Girl, wake up in the morning and get breakfast with Girl, spend time chatting until somebody has to leave, keep calling and messaging Girl, feel nothing all the while knowing she’s feeling something, feel suffocated, keep sleeping with Girl until she decides she really really likes you, hesitate and say something that is nice but not really in tune with what she said hoping that one day you will grow up and like another person in that kind of way, become distant, watch her face change, keep divulging feelings and thoughts and watch her idea of you meet the reality of you, feel depressed, break up with Girl, go to a bar. [I’ll tame your impala.]