Archive for the ‘Tunes’ Category

Some things you do for money and some you do for love

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The Mountain Goats – Love Love Love

Some days, like today, I walk around with U.S. $700 in my back pocket. Malaysia still has a cash-based economy. I once held, in my stubby little fingers, $2000 worth of currency. (It wasn’t mine. Or, rather, it was mine in the sense that I now owed a substantial debt.)

It’s an awesome, awful feeling — all that expensive money, in a wad in your fist, waiting to elide away as rent. All that value eventually to turn into soggy piles of papier-mâché mulch, multicolored and meaningless. Long after that happens, I’ll still be out there somewhere in the raking monsoon rains, hustling and grafting so that I can hold — albeit temporarily — next month’s rent in my hand. [The Sunset Tree.]

Wash teeth if any

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Woody Guthrie – I Want My Milk (I Want It Now)

(Click picture to enlarge.)

It’s not meant to be a strife

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Mount Eerie – Voice In Headphones

The Believer: When you changed the name of your project from Microphones to Mount Eerie, you opted to reference a particular natural object in the landscape of Anacortes. Can you discuss the reasoning behind the shift?

Phil Whitman Elverum: Well, for one thing, a sense of place is lacking in most of our American lives and art and music and everything. Everyone moves around so much. Kids grow up in five different places and return to nowhere. Towns are all generic because if everyone is going to move soon, who cares if it’s an Olive Garden or something more permanent-feeling? The lack of “home” that most people feel is fucked. We have a shallow history (especially on the West Coast) and it’s getting shallower. I had the good fortune of growing up in a town where my great-great grandparents were some of the first Euro inhabitants, and a town that is town-like enough that I recognize faces at the post office. I love this place. It is home, in a deep way. The mountain (Mount Erie) is right in the middle of the island. It has this distinctive, dramatic rock face. It’s almost like the mascot of this place. I grew up under it, staring at it every morning waiting for the school bus. It’s a special place for me, and the mysterious beauty in the rock face is potent. It has a similar vibe to much of what I am trying to do in music. “The voice of an old boulder.”

Just smile all the time

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Wilco – How To Fight Loneliness

Madeleine idly stared out the window of the oversized speedboat that acted as the ferry between Langkawi and Penang, old reclining airplane seats eight across the belly of the hull. Her husband, Jay, slept, mouth open, on her olive-toned shoulder.

They weren’t in love. She knew that.

They’d been married a year. Two years ago, at a New Year’s Eve party, she’d surprised herself by leaning up to kiss him on the mouth at midnight. When their drunken lips parted she said, “Oh,” and he said, “Well then.”

After a year of dating, when he couldn’t think of any substantial reason to dump her and saw no other recourse but to propose, she said yes because it had always been her secret dream to not have to work. She quit her job as a temp secretary and spent the days at the gym and picked up hobbies weekly and generally was content. He worked in insurance or something. She wasn’t quite sure in what capacity but the checks never bounced and her car had leather seats so she didn’t much care.

He snorted and shifted slightly in his sleep, and she felt the cool on her side where his heat had so recently been.

When, after a day laying out on the sugar-white sand, she rubbed aloe into his pink skin, giggling at his ginger misfortune, were her hands any less tender than those of any other wife?

Sometimes, like on this vacation to Langkawi, she saw single people, chirpy and chatty in new red bathing suits. Maybe there really were happy, going back to hostels to fuck each other and reveling in each independent decision. Maybe she was projecting how lonely and downright bored she’d felt while single. Either way, she didn’t envy them.

Madeleine and Jay’s relationship was comfortable, two worlds intersected by shared space and experience but without much regard or emotion toward the other, like siblings. Siblings who fucked sporadically; their marriage was loveless, not sexless.

She ran a finger down his freckled bicep, feeling the sun’s trapped heat emanate off his usually pale skin. With the corner of her mouth, she kissed the top of his head and she felt nothing. [Summerteeth.]

Sometimes I think I’m going mad!

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Fionn Regan – Be Good Or Be Gone

Nora: “The’ agony I’m in since he left me has thrust away every rough thing he done, an’ every unkind word he spoke; only th’ blossoms that grew out of our lives are before me now; shakin’ their colours before me face, an’ breathin’ their sweet scent on every thought springin’ up in me mind, till, sometimes, Mrs Gogan, sometimes I think I’m going mad!” [Art by Santiago Rusinol, words by Sean O’Casey, music by Fionn Regan.]

You can’t miss what you ain’t had

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Frank Ocean – There Will Be Tears

[Nostalgia, Ultra. / Nedroid]

The immigration sing-song

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Karen O, Trent Reznor & Atticus Ross – Immigrant Song

In its beginning, in its poverty, “Immigrant Song” tells us of droning back alley sounds, their violent subtleties, and raiding rhythms lugubriously stylised with thrilling drums and pedal driven guitar. It’s an entrance theme for the boxer, the momentarily fallen, and the certain-to-be triumphant. The song is character building, playing on O’s vocals strikingly abating the rash inflections of the instrumental – the music itself an unexpected battle, with Karen’s sturdy pronouncements prying away the intractable instrumentation and its flailing complete ownership; the war then descending, spiralling head bound towards conclusions of gigantic guitar notation. “Immigrant Song” runs spritely along with brash dynamism. [The Girl With The Dragon Tattoo.]

If you want me I’ll be in the bar

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Joni Mitchell – A Case Of You

On the back of a cartoon coaster — in the blue TV screen light — I drew a map of Canada (Oh Canada!), with your face sketched on it twice. [Blue.]

The Blue album, there’s hardly a dishonest note in the vocals. At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world, and I couldn’t pretend in my life to be strong. Or to be happy. But the advantage of it in the music was that there were no defenses there either.
Joni Mitchell, Rolling Stone, 1979.

The automatic and justified response to a cruel and graceless age is to run away

Written by

Blackout Beach – The Roman

Begrudgingly, he thought, the scenery in Java is impressive. There’s waves of trees interrupted frequently by babbling brooks with smooth, gray rocks to step across. It’s gorgeous to look at.

But he would have preferred a postcard. Slipping in his muddy, wet sandals, he lurched along the path toward, allegedly, a waterfall a few kilometers outside of Sentul, a rich suburb of Jakarta. He spent most of his time in Indonesia trying to get away from the people, an abrasive, caustic race. It wasn’t the mildly racist cat-calls or swarming, shameless merchants he was avoiding; she said no.

He wanted to be alone, on the planet if possible, but the only one in eyesight would do. The kids weren’t making it any easier. Two prepubescent boys with slender brown limbs followed him into the jungle, shouting “Mister! Mister!” They were explaining that any small donation and they’d gladly show him the way to the waterfall (the path was clearly marked). Just any amount would do. He told them to go home, that they were not needed. After half a kilometer of babbling on next to him, watching him stutter across rivers and slip when the path became steep, the kids gave up, calling out “Watch and see if your motorbike gets ruined” over their backs as they turned away. They could have the damn thing. He just wanted isolation.

He looked up, savoring the quiet. The sun — searing, brilliant — meant he would have a burn on his forehead and face.

He’d been pulling the covers over his head at night. He couldn’t bare to be exposed. Unfortunately, in this climate, that meant he woke up sweating in the heat of night, terror in his chest and loneliness in the air around him.

He sympathized with ostriches.

He arrived at the base — where a tractor and bulldozer sat on rich brown soil, waiting to create a more accessible road — took off his clothes and waded into the pool at the bottom. The rocks were mossy and uneven, which made for slow going. He fell more than once. But eventually he reached the cascading water, the roaring descent, and shoved himself under it. It repelled him — down and away. He could feel the tiny beads on his skin form one gigantic, insurmountable force — shoving, shoving, shoving. But fuck nature; he pushed back into it, unsteady on his feet, and screamed at the top of his lungs, his face pointed upward.

When his eyes and nose stung too much to continue and his voice was hoarse, he turned around, gathered his clothes, and walked back.

Along the way, his feet brushed up against the prickles of malu grass on the side of the path. Malu means ‘shy’ in bahasa; when touched, the tiny blades fold up against themselves as if huddling from danger. Terlalu malu means ‘too shy,’ and he said the words aloud, savoring their cadence. He knelt down and stroked a piece with his finger, watching it cower.

What malu grass and ostriches would never know, could never understand, he thought, was that the best way to hide is to run away. [Skin of Evil.]

I need loving folks

Written by

TW Walsh – Puppy Dogs Need Haircuts Too

My barber had a mullet.

I picked the barbershop because it had those old-timey colorful swirling poles out front. On my way in, I nodded at the guy sitting out front. He did the little Indian head wobble. I’m still not used to that. It’s a completely neutral expression. He wasn’t nodding that I should come in, he wasn’t making any value judgement about my existence, he was just letting me know he registered my nod. It can be unsettling.

I walked on by and sat down in the furthest chair, where a beefy Indian man with a mullet hovered. He was alright. Trimmed the areas I wanted, gave me roughly the length I asked for (last time I went to an Indonesian barber and asked for “three centi” he left me with three millimeters), and even nipped the random patch that grows above and to the side of my left eyebrow with the straight razor.

He clipped my nose hairs.

But when I leaned forward to stand up, he pushed me back down into the chair. My haircut experience was just starting. He held a bottle upside-down a foot and a half above my head and squeezed with one hand, massaging the oil into my hair with the other. He did this longer than I thought the contents of the opaque white bottle should last. He switched to a purple bottle briefly, which made me smell all pretty, before returning to the first one. All the while he massaged my head, squeezing down the back of my head into a V at my neck. Then he used both hands, pushing his palms together until I thought the top bit of my skull would blow open.

After a bit of that, he started yanking on my ears. First he’d pull the top down, leaning in close so he could hear the unnatural *squish* noise it made. Then he’d pull the lobe up. It hurt. I think my ears are made differently or something; it felt like he tore something along the top where it attaches to the rest of my head.

I knew the next move. They do it in Indonesia too – put one hand on your jaw and the other on your temple and pull suddenly until your neck cracks. I waved my hands in front of me. “No. No need. OK. No.” He just did the head wobble and said, “Free free free free free free.” He drowned out my protests. “Free free free free free free,” and *yank*. It didn’t hurt till the next day, when my entire upper torso and neck hummed with a low pain.

I paid — about 5 USD — and left. I couldn’t wear my helmet on the way back because there was too much grease in my hair, which I eagerly rinsed out in the shower, strings of glob down the drain.

[T-Dub.]