Everything this person has written for TUNETHEPROLETARIAT

Another snowman standing in the sleet

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Leonard Cohen – Recitation

“I stopped wearing my wedding ring,” he said. “At work, I mean.”

She continued pouring milk out of a chilled glass pitcher – steadily, measuredly, full to the brim.

“I know,” she said, and sat down, her wooden chair creaking. He raised an eyebrow. “The tan,” she explained.

“Oh.”

He tucked his napkin under his collar and cut into the roast. “I just thought you should know is all.”

She smelled earthy, like freshly baked bread, as she walked – back straight, posture perfect – past him to the bathroom. She locked the door.

Leonard Cohen – If It Be Your Will

Leonard Cohen, more than any other songwriter in the past century or so, creates music that sounds sacred. Like he picked right up from the hymns, like the church’s recent flitting with obscene and obscenely unoriginal pop music never happened. Like when his aging fingertips – withering but still gentle, lythe – touch the taut guitar strings, the only possible response is supplication, sanctification.

I’d go to that church, you know. Cohen up on stage, his body stiffened by approaching rigor mortis, but still trim in a suit. An angelic chorus supplementing him from behind the pews, up in the balcony. L. Cohen certainly wouldn’t tell me to switch my phone to silent, laughing nasally because the comparison of the vulgar cinema and the consecration of church makes him slightly uncomfortable. He would never tell me to close my eyes, to open up my “heart of hearts.” No, he’d just close his own eyes. (It’s hard to imagine cellular telephones and Leonard Cohen coexisting in one world.) He’d sing in that earth-rumblingly deep voice, each bass note veined with experience and humility.

Instead of holding our hands aloft and swaying, we’d silently bow our heads and mutter prayers into our collars. [Live In London.]

You are my heart

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But no one is asking so leave it alone

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The National – Cherry Tree (Black Session)

Bryce rolled out of the cab somewhere uptown to attend a black light party. The apartment was full of a cluster of Eastern Europeans, mostly sitting in a circle on the wooden floor in the living room, white socks and neon shirts glowing. Nervous, itchy, he skidded around them to the kitchen, where the lone light in the apartment was on.

A skinny Swedish girl, crossfaded and with pink hair tips, stared wide-eyed back at him as they stuttered through a conversation. Bryce kept scratching his elbow and looking down or looking away or looking out the glass sliding doors.

Sitting down indiscreetly at the edge of the circle, Bryce wonders if it’s more noticeable to sit alone or to pretend to be in a cluster having a conversation without saying anything. He’s pondering his own antisocial neurosis and if it sprouts from too much time alone on the computer when suddenly someone’s asking him a question. “Don’t look at me,” he nearly whispers back, “I’m only breathing.”

[The Black Sessions are free. So is the New York Times Magazine feature on The National.]

I will slip into the groove

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Don’t look at the camera

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Low – Try to Sleep

[Words stolen from Jonathan Franzen.]

Antonia’s very good-looking younger sister, Betsy, knew better than to expect even minimal tact or sensitivity from her husband, Jim—he had, after all, proposed to her with the words “If you want me to marry you, I’ll do it,” and she had, after all, accepted this proposal—and so she couldn’t fairly be offended when Jim began to hint that she should have some work done. Jim’s idea of a hint was to remark, while Betsy was seated at her bedroom mirror and doing her makeup, “Isn’t it funny how people’s noses and ears keep growing after the rest of the body stops?” Or to mention, apropos nothing, while the two of them were celebrating their twentieth wedding anniversary at a midtown steakhouse where every busboy knew Jim’s name, that he used to have a moral problem with plastic surgery but was “totally coming around to it now.” Or, when they were out eating lobsters with Jim’s arbitrage partner Phil Hagstrom and Phil’s young second wife, Jessica, to reach across the table and put his butter-smelling thumbs on Betsy’s eyebrows and stretch the skin between them and say, with a wide, instructive grin, “You’re frowning again, baby.”

Betsy was proud of her natural assets, proud of the fact that they were natural—she could still, at forty-three, pass for thirty-six or thirty-seven—but she was also excited, in a dirty sort of way, to imagine reaping the benefits of augmentation, of compounding her native advantages, of strengthening her already impressive portfolio of looks, while being able to blame the procedures entirely on Jim and Jim’s tactless demands, rather than on her own vanity. Almost every year on Election Day, she managed to “forget” to go out and cast her vote, or it was only after she’d fed the kids their dinner and filled her extra-deep custom-built travertine bathtub with hot and fragrant foamy water that she “remembered” that the polls were still open and wouldn’t close for another hour. Instead of putting her clothes back on and shlepping through rain or sleet and participating in American democracy, she lowered herself into the tub and savored the unclean pleasure of not having voted against her conscience (which had been Democratic since her childhood in Cleveland) while Jim had gone and flipped every Republican switch the voting machine could offer and yanked the machine’s big lever brutally, as if to emphasize his ever-deepening hatred of liberal Democrats, so that the household’s only tallied vote would safely go to candidates who wanted to lower the taxes of high-income families and leave them more money for luxuries such as Betsy’s bathtub, which Jim had bribed the co-op to the tune of thirty thousand dollars for permission to install, and which, as Betsy freely admitted to herself, it made her very happy to soak in on a raw November night.

People had always overestimated Betsy and Jim’s ambition. In the beginning, her parents had imagined that she was secretly heartbroken to have been married in a hasty, colorless courthouse ceremony so unlike the California beach wedding of her sister, Antonia. Jim’s parents had similarly assumed that their son was furious when Betsy, as soon as she had his ring on her finger, dropped all pretense of wanting to become a Catholic for him. Though Jim was frank about his lack of interest in anything but making money, and Betsy scarcely less frank about her motives in marrying him, nobody had wanted to believe them. Jim did dutifully spend a tasteless sum on a honeymoon in Paris, and there, for two days, Betsy did gamely try to do the romantic touristic things expected of newlyweds, but she was five months pregnant, and it was plainly a torment for Jim not to have hourly access to the markets, and their richly illustrated moneyed-yuppie travel guide to the authentic moneyed-yuppie pleasures of Paris was like an insider’s guide to Hell. She’d never felt uglier and had seldom experienced more intense dislike of another person. On their third morning in France, out in the middle of the Pont Neuf under a white-haze sky, Jim began to abuse her viciously, shouting into her eyes, “What the fuck do you want to do? You haven’t told me one single fucking thing you want to do!” and Betsy screamed back at him, “I don’t fucking want to do anything! I hate this city, and my feet are killing me, and I want to go home!” Whereupon Jim, more quietly, and with a frown, as if some strange coincidence were confounding him, said, “But that’s what I want to do.” All of a sudden the two of them were laughing, and touching each other’s arms and shoulders, and it was just about the most romantic moment of Betsy’s life, there, sunburned and sweating in the middle of the Pont Neuf, surrounded by the Seine’s atrocious glare, the two of them agreeing to throw in the towel and stop pretending. They went straight to the nearest McDonald’s and then back to their deluxe moneyed-yuppie hotel room for a series of hair-raising romps punctuated by languid hours of English-language TV (Betsy) and highly technical phone calls to the New York office (Jim). How dirty and hot being terrible tourists together turned out to be! Their joint surrender to boringness, their rejection of ambition, became their exciting little secret. Some people, Betsy decided, just weren’t as good at life as others: as good at culture and adventure, as good at being authentic and interesting. “I’m this kind of person,” she thought with relief, “and not the other kind.” Sitting on the Champs-Élysées, eating a farewell Big Mac before flying home three days early, she experienced a rush of gratitude to Jim so strong it felt like love. And maybe, she thought, it was love. Maybe this was what lasting love was all about. Not caring if your husband shouted English at French waiters, demanding food that tasted “more American.” Not caring if your wife didn’t have the patience to wait in line at the Eiffel Tower. Feeling sorry for your husband because his Catholic conscience had obliged him to propose to the first girl he happened to knock up. Feeling sorry for your wife for being too female about math and money to share your interest in tracking, to the fourth decimal, the franc/dollar exchange rates offered by various Parisian banks and kiosks, contrasting the best of these rates with the far better rate that a New York banker pal had given you before you left, and calculating how many hundreds more francs you’d received for your dollars than all the cheese-loving, French-speaking American yuppies who acted so knowledgeable and superior. Each spouse the keeper of the secret of the other’s insufficiency and unambition. Like two lousy golfers encouraging each other to shave strokes, improve their lies, take lots of mulligans. Each obliged to the other for overlooking so much: could this be love?

Apparently it could.

[Pre-order C’mon; subscribe to McSweeney’s.]

Claxxon, the lament thereof

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Blackout Beach – Claxxon’s Lament

Billy liked to imagine his voice held the grit and gravitas of Christian Bale’s Batman when he talked to himself in his head.

“Let’s drive on out of this cesspool of humanity,” he thought, looking out from behind his tinted windows and shifting into third.

In the passenger seat next to him lay an old wooden baseball bat. It had a splintery chip a few inches long at the top, where blood had crusted.

“I’m a professional fucker-uper,” Billy said aloud, but quickly regretted it, since his voice was more high pitched than he liked to pretend. But it was more or less true – he freelanced for a handful of the smaller loan sharks, letting clients know their payments were overdue.

He never killed anyone, but had quickly picked up work thanks to an eight-foot orange extension chord which had ripped off a man’s ear on his first gig.

Now the chord coiled neatly underneath the spare tire in his trunk. It was waiting until Jimmy Lutz came up on his list. Jimmy had widowed Billy’s mother, Sarah.

“I shall have my revenge,” Billy thought, gravelly, “as soon as the money’s right.”

Wolf Parade – Claxxon’s Lament
Carolyn Mark – Claxton’s Lament

Claxxon’s Lament is perhaps my favorite b-side. Originally recorded in 2005 for Blackout Beach’s first album, Light Flows the Putrid Dawn, it didn’t make the cut, and was released as a 7″ on Soft Abuse.

Wolf Parade recorded a cover (with saxophone!) for The Believer Magazine, and Carolyn Mark included a version with extra lyrics and differently spelled title on her album, Just Married – An Album of Duets.

Just last year, Carey Mercer put on the only Blackout Beach live show, and recorded Claxxon’s Lament, offering the version most explicit in its heartbreak and wistfulness. Here’s what Mercer says of the show:

“This is a live record from August 2010 of the only Blackout Beach live performance, focusing on mostly tracks off of Skin of Evil, released by Soft Abuse records. I read some poems and stories. My mom did the door, and my dad was the bouncer. My friends came. It was a nice night.”

[You can buy eight tracks for three bucks on bandcamp.]

People are weird

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[Preorder.]

My best intensions are clogging the drain pipe

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Risers – Can’t Get There From Here

Somewhere on the crater moon surface of the icy Dallas road system, my windshield squirters gave out, leaving my wipers to manically smear salt and snow across my field of vision. Every time I stopped for gas, I left the wipers on and splashed blue fluid out of a giant clear bottle onto the windshield, temporarily clearing my view.

I used to fastidiously calculate gas mileage; I used to promptly secure oil changes; I used to rotate my tires. But lately everything’s gotten a bit sloppy. I’m shivering out in the middle of winter, splashing bottles of what looks like blue drink over the front of my car, spilling down my pea coat and jeans. I’m haphazardly taking wrong turns down roads leading away from where I presumably want to go. I’m overpaying for rent and not paying for insurance.

[OMG music online for FREE? It can’t be!]

Give Away

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ACROBATICS – Give Away

I spent two days in Kansas playing with my cousin’s kid, Eric. He’s a beefy 3-year-old, replete with the missing front tooth and bowl cut. When he runs, which is frequent, even when just going down the hall to brush his teeth or wash his face upon a maternal command, he uses only the balls of his feet, like a dancer up on tip-toes.

We did everything together. Made peanut butter, jelly, and cheese sandwiches. Tied shoes. Rinsed dishes, him up on a stool to reach over the sink. Fought dragons. Tamed dragons. Sent imaginary dragons off to do our bidding. Wrestled. Touched the ceiling, him balancing on my shoulders. Played Wii – poorly. Wrestled more.

Whenever I said something Eric didn’t understand, he would look at me for a second, then break into high-pitched and hysterical laughter – a kind of powerful forced laughter which overwhelmed the awkwardness and eased the moments forward by wiping away the past few seconds. Then he would usually grab my shirt and try to pull me down the ground.

In a movie, this song would be the soundtrack to the slow-motion scene of Eric jumping on the trampoline. It would start at the normal speed, but soon slow way down mid-jump. Each arm flail, every bead of sweat on his head, that infectious grin – it would all become majestic and eloquent on the flickering screen with this song’s bass pumping through it. It would be poetry.

And then the song would end, Eric would fall to the trampoline again. And probably jump off and tackle me.

[Free fucking download!]

Is this the better way to spend the day?

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The Decemberists – January Hymn

The news lady says it was the coldest day in Chicago for over a year. I don’t heed her and forget my hat.

After hiking the two and a half blocks to the El, I stand under the heat lamps on the platform for the pink line. Wind whistles through my sneakers. I can see my breath; I can see the shadow of my breath on the cement in front of me. My brow burns from the stinging cold, right between my eyebrows. I try rubbing it, then I massage some warmth into my ears. Should have left them numb, now they just hurt more.

I like public transportation. I’ve never really lived in a city where it was convenient, so I always get excited when visiting cities that do. (“It’s less exciting when you use it every day for three years,” Freeze points out when I get back to her apartment). With my earbuds in, I just watch people.

A mid-20s lady looks despondent, even with pink hair. Some guy carries an empty crock pot. Two teenage girls chomp on some Cheetos. Out on the street, and older man smokes a cigarette with his hands jammed deep in his pockets. A runner lets one arm hang next to his body, awkwardly limp.

A homeless man walks up to me, snot frozen into his beard, and asks if I would “give a little something from my heart.” I wonder if he would prefer money or maybe just a cuddle to keep warm. But I offer neither and keep huddling forward after my breath. [Buy.]