Everything this person has written for TUNETHEPROLETARIAT

FIRST ENCOUNTERS

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Local Natives – Wide Eyes

We’ve just met, Local Natives and I. We were introduced through friends. We shared some small talk, bought each other a couple of glasses of wine, sat out on the patio – so I could light a cigarette – and whittled the night away asking questions; feeling the moment through. We’re unsure.

I have to ask Michael a couple of things first, like if they’ve just been through a messy breakup or a death in the family. If maybe they’re grieving, or plain cold. I don’t think they are, but early on you can’t be sure. They seem nice, inviting. But a couple of months down the line they might move in – yeah, I know I’m thinking too far ahead – and start turning the air-con up every time I turn it down. They’ll talk loudly on the phone. Take long, long showers. Shirk house duties.

It’s just that right now, they’re a lot of fun. Fresh. Wide-eyed and adventurous. Maybe inside they’re jaded, tired, waiting ’til they’re comfortable enough to get irritated, confrontational, a hassle. [Buy.]

interview the proletariat
CAMERAS

Written by

CAMERAS – Polarise

“Ted Dansen plays a good surly cunt,” Fraser Harvey articulates, in a corner of the beaten Hollywood Hotel on Foster St, Surry Hills. I’ve been sitting here with him for a couple of hours, drinking and talking. Initially an interview, it fell into a maelstrom of non sequiturs and laughter.

I’ve found that interviewing can be a cautious endeavor – too readily they fall into a back-and-forth of Googled fact-sheets detailing tours and anecdotes on how the band came together. By fate’s good fortune, my rampant unprofessionalism and alcohol-related downfalls leave me as a bit-part conductor. Fraser himself shakes his head midway through the night and mutters, half-jokingly, “This is going to be a terrible interview.”

A question in the night: roughly how long do you think it takes an unmanned craft to travel to Mars? Fraser replies, “Sixteen years.” I am not fucking with you. I offered him the reasoning that his response would imply that for a mission to reach completion this year, it would have had to leave in ’94, but Fraser was adamant, so we searched for the answer. Needless to say, he was wrong (“I fucking knew it, man – no chance it takes sixteen years to get to Mars”).*

When asked to describe the ugliest human being he has ever seen, Fraser promptly snaps, “Julia Roberts.”

We briefly spoke about CAMERAS’ recent gig at Oxford Art Factory, where he lamented the fact that the two acts either side of their time-slot were acoustic numbers, making stage set-up irritatingly long, though he confesses that “it meant there were more people milling around, drinking.”

I briefly posit that people are jaded now moreso than ever because we’re universally aware of our pointlessness, and am unanimously shot down. We snap back into a prior conversation about Seinfeld.

Be not mistaken: our slurred jaw-gnashing bears no resemblance to CAMERAS‘ music. Tight instrumentally and vocally absorbing, their debut self-titled is a catch. [Buy.]

*On record: it takes about nine months.

CAMERAS – Defeatist

People sometimes can’t recognise other people when they’ve cut their hair because they’ve gone a steady length of time adopting that hair into the familiarities of that person. Imagine if, instead, whenever you cut your hair, you couldn’t recognise anybody. Imagine if your hair was tied to your memory, growing like tangled vines in knots down the length of your back. Everybody holding onto their dirty locks not wanting to let the people they’ve met go, and likewise chopping at every ringlet when their minds are overflowing with stalled relationships, unsuccessful careers, failures and apathy.

Imagine the unnerving gears of dread when you awake one morning to find the wardrobe emptied, the car gone, and from the bathroom to the front door a telling trail of shaved hairs.

VISCA BARÇA

Written by

Futbol Club Barcelona – Cant del Barca

@elrob Robert Martinez
Glamour, individual battles for supremacy, tactical intrigue, political significance, moral dichotomies: Clásico.

It could be beautiful. A cauldron of animosity, tic tic tic tic tic, barnstorming tackles, the Philosopher against the Antagonist, questions partly answered. Or it could be dull, a stalemate, a precursor to a few months from now where it happens once more. Whatever the result, it starts in just under seven hours. It features at least two of the very best humanity has to offer in this field. It builds in suspense until the first-minute whistle and crumbles into reflection after the ninetieth. Buen apetito.

CATCHING UP

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“Bring your wiary sould to the alter”

Written by

Sanders Bohlke – Bring Your Weary Soul To The Alter

Some nights she just wanted to sleep. She sat at her desk, slumped over the keyboard, feeling her eyes grow weary with bags drooping across her cheeks, her expression sinking with every minute. But there wasn’t enough in her bones to slide into bed and drown in the sheets. So her bones ached and stung with the pain of sleeplessness, like minuscule daggers pinpricking her pores right down to the marrow and the walls blurred into a drowsy swirl of pastel paints and moths led astray by the lone light shining in her moss-ridden apartment ceiling. [Buy.]

You need help!

Written by

Queen – Don’t Try Suicide

How many ways are there to kill yourself?

I thought about a couple: belly-flop into the North Atlantic ocean from an airplane; slit your wrists with your father’s carving knife; sit idly in the garage with the doors and windows closed and the car running; pluck a plant from the garden, pretend it’s Gillyweed, dive headfirst into the swimming pool and breathe; play a round of Kings with petrol instead of alcohol; adopt a rabid pitbull… [The Game.]

I want to know:

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Were my feet always this dirty? Is my hair going grey? Why am I this weary? Are you going to stay? Who gave you this number? Are you alone? When did the children disappear?

*Lonely Planet, by Suddenly Sunshine

TIRED AND SICK OF BEING SICK AND TIRED

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N.B. The censored word is fuck.

THE FOOL

Written by

The Fool, the album, by Warpaint

Set Your Arms Down – Arabella traveled every inch of the world collecting every gun she could find, she could take, from the limbs of havoc. She hopped grassy knolls and wandered the deserts and climbed in through back windows across the Earth. She hoarded every firearm, every piece, every bullet and trigger and chamber. A stockpile of steel glistening in the throbbing sunlight. Arabella knew now, unquestionably, that every gun in the world was right here, right in front of her. I’m closer to peace than I’ve ever been. She didn’t feel that much happier. Arabella lit a match, breathing thoughtfully, and flicked it into the pile. The powder lit, sparks in the air, pistols and shotguns and revolvers firing in a Kalian sprawl across the noiseless flatlands. Arabella fell in a dusty heap, insides creeping out from open wounds.

Warpaint – In the parklands across the road from the elementary school, children waited in line with their parents to paint their faces, to smear the skin of their cheeks, wearing youthful costumes and smiling with abandon. Those who waited waited impatiently, those who had finished ran to the playground and pretended to shoot the other children wearing cowboy hats and flannel shirts with imaginary arrows.

Undertow

Beesbzzzzz. limbs prodding through the flowers. picking at the pollen. taunting the drones. the queen is calling! bzzzzz. don’t touch my stinger.

Shadows – Jennifer was an invisible girl – except when she did anything illegal, like steal food because she was starving. She had one pair of clothes and never did laundry. She was nine, an orphan – she was never heard, never knew her parents, didn’t know where she came from, and wanted to be loved by the people who couldn’t see her. She couldn’t sleep in the warm houses because they belonged to others – people would see her and tell her to scram.

“You’re ugly and a disgrace!” they shouted.

Jennifer slept in the trash of dumpsters – in crumpled newspapers and food and plastic bags and things torn to bits – like a warm nest that smelled of the people she wished would love her.

At night she heard cats.

During the day she walked and avoided the heavy people, picking up dropped coins and looking into shop windows.

“I do wish someday to be real.”

(buy Manifesto, written by somebody – not me)

Composure – This song bleeds into your ears like melted clay, waiting to mould something from the misshapen thoughts in your skull. It trickles out, drips from the earlobes, pinpricks of muddled ideas brushing against your toenails. It drum drum drums – “how can I keep my composure?” – and I don’t know and you don’t know.

Baby

Majesty – “Do you know your fate?” whistled the parrot to the hounds panting by the gate. Their lopsided grins, unintentional, plastered across their dazed expressions.

Lissie’s Heart Murmur – Lissie felt the murmur some time in the morning too late to go back to sleep and too early to get ready for work. It wasn’t the kind of murmur that doctors furrow their brows over, no, it was more like a ba-bump bump whoosh, like her heart was frightened, fell out of bed, slipped out of its nightgown and into the arms of loneliness; cold, hoping for warmth.

(illustration by Chris Kuzma)

Streetlights

Written by

Kanye West – Street Lights

It wasn’t a classic album, or a great one. It’s not even that it was a bad album; it wasn’t. It was alright. “Paranoid” is great. (“Baby, don’t worry ’bout it! Hey there, don’t even think about it! You worry ’bout the wrong things, the wrong things!”) Auto-tune that heartbreak, Kanye, never mind if your voice was already grating to begin with. But “Street Lights”, yeah. “Street Lights” is a good song. It’s not complicated. There’s no bravado, no chest-beating Louis Vuitton Don boasts, not even an “I’ma let you finish” kind of interruption. It’s slow, it builds and falls, it beep beep ba beep beep beep beeps and Life’s Just Not Fair, you know your destination but you’re just not there. [808s.]