Everything this person has written for TUNETHEPROLETARIAT

Go long, go long, go long!

Written by

Joanna Newsom – Go Long

Last night, again,
you were in my dreams
several expendable limbs were at stake
you were a prince, spinning rims
all sentiments Indian-given
and half-baked
I was brought
in on a palanquin
made of the many bodies
of beautiful women
brought to this place to be examined,
swaying on an elephant:
a princess of India.

We both want the very same thing.
We are praying
I am the one to save you
But you don’t even own,
your own violence
Run away from home –
your beard is still blue
with the loneliness of you mighty men,
with your jaws, and fists, and guitars
and pens, and your sugar-lip,
but I’ve never been to the fire-pits with you mighty men

Who made you this way?
Who made you this way?
Who is going to bear your beautiful children?
Do you think you can just stop,
when you’re ready for a change?
Who will take care of you
when you’re old and dying?

You burn in the Mekong,
to prove your worth,
Go Long! Go Long!
Right over the edge of the earth!
You have been wronged,
tore up since birth.
You have done harm.
Others have done worse.

Will you tuck your shirt?
Will you leave it loose?
You are badly hurt.
You’re a silly goose.

You are caked in mud,
and in blood, and worse.
Chew your bitter cud,
grope your little nurse.

Do you know why
my ankles are bound in gauze
(sickly dressage:
a princess of Kentucky)?
In the middle of the woods
(which were the probable cause),
we danced in the lodge
like two panting monkeys.

I will give you a call, for one last hurrah.
If this tale is tall, forgive my scrambling.
But you keep palming along the wall,
moving at a blind crawl,
but always rambling.

Wolf-spider, crouch in your funnel nest,
If I knew you, once,
now I know you less,
In the sinking sand,
where we’ve come to rest,
have I had a hand in your loneliness?

When you leave me alone
in this old palace of yours,
it starts to get to me. I take to walking,
What a woman does is open doors.
And it is not a question of locking
or unlocking.

Well, I have never seen
such a terrible room –
gilded with the gold teeth
of the women who loved you!
Now, though I die,
Magpie, this I bequeath:
by any other name
a jay is still blue

With the loneliness
of you mighty men,
with your mighty kiss
that might never end,
while, so far away,
in the seat of the west,
burns the fount
of the heat
of that loneliness.

There’s a man
who only will speak in code,
backing slowly, slowly down the road.
May he master everything
that such men may know
about loving, and then letting go.

[This is beautiful, fucking beautiful, beautiful.]

Why can’t you be true?

Written by

Chuck Berry – Maybellene

Sliding down the driveway in slippers with your arms flailing and your neighbors are watering their begonias. Ah! Your knees won’t stop kicking. You’re playing air-guitar in your underwear and slapping the arms off of your lounge-chairs. You’re smiling. It’s that morning and you have that highway sound in your lungs. Your neighbor looks over, bemused. You stretch that smile a half-mile wider and yell, “Fuck, we’re good! We’re so good. We’re better than anybody has ever been and you have one option: get in the fucking car and scream!” [Maybellene!]

So long, my friend and adversary.

Written by

The water’s clear, and innocent

Written by

Radiohead – Codex

It is a familiar cold. The sweater you never wear, buried deep in the trends of your dresser, buried deep and snug and crinkled. From that winter when you were twelve. When your cheeks blushed a rosy hue. It is everything it was before and nothing like what it is. It is a motion picture. It is a morning bell, ringing ringing ringing. It is a piano on a sexless highway, creakily rolling, notes pressed down upon by a single hand burned to a crisp, limbs scattered on the worn tar black from the light. It is yesterday. It is tomorrow. It was today.

***

It is Savernake Forest. It is jagged oak fingers reaching out. It is scattered coppices and winding meadows, prickly scrubs and wretched heath. It is sadness. It is slovenly. It is you. You are the sloth. You are sitting on the branches, are never climbing. You crawl sideways, looking up. Waiting for the rain. The clear, clean rain. [Buy The King of Limbs.]

Darkness, darkness

Written by

Squawk

Written by

The Preachers – Skin & Bone

“I’m afraid your phoenix is suffering from necrotizing fasciitis, most commonly referred to as the flesh-eating disease.”
“Oh my god.”
“Yes, it’s at a fairly advanced stage and, suffice to say, at this point there’s little we can do – (“Oh my god“) – however, and this is peculiar: your phoenix cannot pass. As you may know, throughout the mores of history the phoenix has been thought of as an immortal being. Not so in the idea that it might never age, or age endlessly, rather that it opts for death when it grows tired and sickly and ignites itself before rising from its ashes as a hatchling, the same bird revived. This being the case makes this diagnosis, in particular, a little awkward.”
“So … what are you saying? What will happen?”
“We’re not sure. I perused through the Mythological Creatures Almanac for an idea of the chain of events that will follow its illness but it had little to say on the concept of a phoenix suffering from a disease of this kind. I’m not sure if it will head towards an early ‘grave’ at this point, or allow the infection to spread and whittle away at the living cells remaining. If the latter is the case, you might be the proud owner of a skeleton-phoenix, picking at bones with it’s bones.”
“That sounds terrible.”
“It might not be so bad. It would make a great talking point at parties.”
“Parties? This is my pet you’re talking about!”
“Oh, come on now. You own a phoenix. Clearly this is a strange relationship to begin with.”

[Buy / Project 66 is The Preacher’s brain-child, a back-to-back releasing of demos made alongside Sydney – or otherwise Australian – artists, producers, saboteurs. Tweet tweet.]

I know it sounds sordid.

Written by

Well done, Mr. Barré

Written by

[Barré: réalisateur, producteur, auteur // Chilly Gonzales: ivory towers, wiggling bits]

Junkyard angel

Written by

Bob Dylan – From A Buick

Women, everywhere: in households, by the water, on the street. Golden-haired vixens carrying themselves in a way that keeps men wary, aware. A young Dylan loves women, writes about them. Gnaws on his molars with his eyebrows contorted, piecing together the clues. “From A Buick” is not the most mesmerising song he’s ever written about a girl, about girls. Hundreds of great singles, covered and remodeled. It’s the instrumentation, the way Dylan crafts a sound that feels like a dose of amphetamines, a rush, a dizzying spell of infatuation and running, running towards the warm light that brushes your face a blushed tone when your wearisome eyes start hanging. It’s the sound that makes this song. [Ready to sew you up with the thread.]

BOULEVARD

Written by

Ryan Adams – Drunk And Fucked Up (Like The Twilight)

“Fuck,” my stomach growled. I was hungry, the dime-store diners were shut – boarded windows and unkempt sidewalks, leaves crumpled along the cracks in the concrete – and the twilight’s thick, hot air in my collar. I fumbled around in my pockets for loose change, only bus tickets and a stray button.

“Fuck this,” kicking angrily against the curb, stubbing my toe through the worn leather of my shoes.

It should have changed. I was meant to be richer, cleaner, sophisticated. I’m poor, dirty, puerile. Sick to the knees with buttermilk curdling in my stomach. I can feel the mucus in my lungs, the clumps of nicotine blackening arteries, strangling my throat.

I keep reaching into my pockets, thinking there’ll be coins I missed, small coins quiet, stuck, in the stitched corners of the inside fabric. I keep doing this. I know there are no coins and no notes and no unclaimed cheques crumpled and useless, but I keep fumbling.

The last cheque came in the mail on Thursday. A mumbled hello and thank you when Arthur, the postman, nodded and handed me the envelope. $130. Mother was worried. I sat at the foot of the bed and penned a letter, reassuring her, I was alright, I was waiting for the tide to break so I could paddle to shore quietly, unnoticed. As soon as I was on sand, I would make it. I would head to the terrace at the head of the beach and buy a Popsicle, suckle on it while the sun beat down on my bare back and sweat greased in the long thickets of hair hanging from my head. I would be rich, respected, a known expert in my field – whatever field that was. I could do anything.

She would buy it. Parents want to be lied to, want to believe their children are working towards something incredible, something that will feed and clothe and, somehow, absolve them.

I signed the letter, tightened my belt, dropped it into the mailbox on the corner and kept walking.

I liked walking. Women were everywhere. I desired the women on the street. All of them. Plump women, meager women, women with eyebrows that said they would do some beautiful things, women with lips that snarled when they caught you watching them read the newspaper, women with friends, boyfriends, husbands, businessmen, women alone on their way to somewhere, dependent women, independent women, women with a stunning grasp of vocabulary, women that smile warmly when they lie, “I’m sorry, honey, but something has come up. I won’t be able to see you for coffee this afternoon.”

There was nobody watching at this hour. It was late, people were asleep and stuffed with roast dinners. My feet ached, the weary leather soles of my shoes doing little to stop the pebbles scraping. I knelt, leaned against a signpost, lit a cigarette, fumbled through my pockets. “Fuck,” my stomach grumbled.

[Buy.]