Everything this person has written for TUNETHEPROLETARIAT

Love, was the air in your mother’s lungs.

Written by

Cottage

The Middle East – The Darkest Side

Inside a blue-walled fisherman’s cottage, of timbre and fibro, with the roof a shade of brown that defied the backdrop of the sky above and the gate a chipped red too obvious to be red, a red you’re wantin’ to call something else, there’s an old dining table with aching legs draped in a plastic red and white cloth.

Nobody’s home. They’ve all walked down to the shore, to sit on the sand and run their dirty feet in the water until it tickles their knees and kisses the cuffs of their faded blue board-shorts.

On that table, there are a couple of sheets of paper. A few of them are bills: electricity, water, gas. The kind of paper that, with its invasive company header and the numbers always seeming larger than the words, makes people uneasy because they get the feeling that the latter should never be the case.

One is a note from the local school, encouraging parents to be more involved in the volunteer duties that help keep the school communal, and cut costs.

Never mind that Aaron can hardly keep attention in class, with his eyes on the hazed windows, glass fading from the salty air.

There’s a hand-crafted coffee mug, misshapen and chipped at the handle, with the morning’s liquor crusting at the bottom. Next to it, a plate with a toasted crust and crumbs scattered across it.

[Buy Recordings of the Middle East.]

Next stop, please.

Written by

Awake

Angie StoneWish I Didn’t Miss You

And she would whisper sometimes, in the early hours of the morning, to the unbeaten pillow beside hers, “I miss the smell of the evenings in summer.” Her hair would stick to her lips and, like pins, press into her skin gently. “I miss grotty strangers rubbing up against me on public transport and feeling their sweat trickle on my skin. I haven’t felt that kind of platonic proximity in so long.”

[Buy Mahogany Soul.]

The foundations seemed so strong.

Written by

Humor

Dan le Sac vs. Scroobius PipLetter From God To Man

In a middle-weight metropolitan city, at a bustling intersection, a crowd of exactly fifty-two waited for the flashing green man to appear and say yes! you shall pass through. It was finishing time for the nine-to-five brigade.

A woman, forty-three, voluptuous, fell as her heel gave way to the ignominy of being tread on every day of every week of every month of every year.

Three people came to her aid.

Eleven watched curiously, raising a hand as if to say Are you okay? Do you need some help? but doing nothing, and knowing they were doing nothing. She’s okay, everybody, announced their body language. She fell, but she’s okay, and you saw me help, right? I helped.

Of the thirty-seven remaining, six hadn’t heard a thing through their headphones.

Nine had barely slept the night before (four were having relationship problems, two were substance abusers, two were substance abusers with relationship problems, and one was an insomniac).

Fourteen turned their heads to see what all the commotion was about, but continued walking as they did. One of them, talking on his cell-phone, said, “Oh, somebody’s tripped.”

Two were disabled, and probably couldn’t have helped anyway, and besides, they had their own problems.

Six smirked when the fat bitch fell.

[Buy Angles.]

What this generation needs is a war.

Written by

Yves Klein BlueAbout The Future

“He sounds like a garbling turkey.”

“How do you know that?”

“What do you mean?”

“I mean, how do you know that he sounds like a garbling turkey?”

“Well… because I listened to the song.”

“But you live in Australia, man. There aren’t any turkeys here. You don’t know what a fucking turkey sounds like.”

“I’ve seen them on TV.”

“That’s all sound editing, man. They don’t use an actual turkey. They rub cellophane together and sticky-tape four cats to a rabbit to get that sound. There’s no turkey in the studio. There never was a turkey in the studio. Nothing.”

“Bullshit, man. That’s ridiculous. How would that make a garbling turkey sound?”

“I don’t know, man. It just does. I saw it on TV.”

[Buy Ragged & Ecstatic.]

(Photo taken from Joelzilla’s Photolog of a Sydney Kid. Check that out for yourself when you’ve got the time. It’s the kind of Sydney I’m familiar with.)

“Blue eyes, let me turn a stone.”

Written by

SeekaeWool (feat. Ivan Vizintih)

The air was brisk, and Jon was tired. His shoulders slumped under the weight of his sagging backpack.

The dusty off-yellow backpack clung to his woolly emerald-green sweater, both belonging to his once smaller, now larger cousin.

The grey sky, it was still and never swayed. The walkway was quiet, with only the murmur of Jon’s weary shoes scuffing the silence.

The thirty-eight stones he counted on the way were each in place, except for two he thought looked disturbed. He prodded at them, pushing, poking, but they refused to sit wise. They’re not looking at me right.

He led himself down the stairs, hopping two at a time. The railings looked rusty but he slid his hands along them anyway, felt the pinpricks scratching at his fleshy pink palms.

And his backpack’s insides clanked and clattered.

And the canal was lined with trees, trees of bark stained ochre and leaves begging green. The canal’s walls were only cracked graffiti and the turn seventeen steps ahead swore injury. It swore terribly, in a barroom slur saved for stumbling drunks who have keys to locks they shouldn’t have.

The leaves aren’t rustling. Leaves are supposed to rustle and shake and twirl. They’re supposed to fall, but fall well. Float.

And in that withered town’s intestines he sat, and crossed his legs. In his pocket, his Walkman sat waiting. He ran his fingers along the buttons. The pause button was jammed, from this one time he’d spilt Coca-Cola on it and made a terrible mess, and didn’t know the proper way to clean it and couldn’t ask his mother because she had already fallen asleep.

He pressed down on it, felt it resist.

A moment passed where Jon didn’t do a thing but watch the leaves sit dead, until he pressed play. When he did that, they rustled. And he pressed down on pause, pressed hard. They stopped. And he pressed play again, calculating.

They rustled.

And he played and paused and played and paused, and caught his unblinking eyes and pressed them down too, watery though they were, and pressed play once more.

Jon watched the trees convulse and the leaves tear away from their branches, and flitter against the grey sky unbridled. And he didn’t close his mouth in case the wind stopped beating against his tongue. This was exciting.

A bluebird, its nest flung from a branch, twisted in the masses of leaves snapping at its squawking beak. Their razor edges tore at its feathered breast. Jon noticed. Jon’s eyes bulged from his weeping sockets.

Open-palmed, he beckoned to it. Bluebird, baby. Trust me. He called again. Bluebird! Come here!

But the beaten bluebird couldn’t hear him, not through the chorus, spread thick like syrup on breakfast toast.

Jon knew what to do then. He pressed pause, pressed hard.

In his open-palm lay the battered bluebird: beak bent brutally to the left, feathers clotting with a velvet crust.

And his backpack’s insides weren’t clanking and clattering. The trees were static with the air of an afternoon dust, and the two stones sat questionably up the stairs, down the path, and out of place.

[Buy The Sound Of Trees Falling On People.]