Everything this person has written for TUNETHEPROLETARIAT

I would like you for my own.

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[via switchphotography.co.uk]

She & Him – Why Do You Let Me Stay Here?

Sometimes, you just see a pretty girl. You just see a pretty girl, maybe you’re on the tram to work or waiting for your friend – your friend that’s always late – to show up for drinks or maybe you’re just sitting at the park thinking about things you think you should think about, and you say under your breath, “Goddam, she’s pretty.”

So you watch this pretty girl in her sunflower dress and her casual stroll and her folded umbrella as she’s making her way across the road or crossing her legs as she waits for the bus and you unravel the bare threads of string that make up your brain and think: Well, she’s pretty, yeah. She’s pretty and her neck is porcelain in shade and so slender and inviting and her cheeks seem to suspend her lips by the lines on the corners of her mouth and you’re hoping the wind comes whistling to rattle those swinging lips and break a smile. Yeah, you’re watching her hands and how considerate her grip is, how she holds that umbrella and twirls it absent-mindedly with the abandon of a puppy caught chasing a mouse through the bushes of an underpass overgrown with moss and lilacs.

And you think to yourself, man, what I would give to jack off on her face.

[Go buy Volume Two. The above song isn’t on it… but if you wanted Volume One, you would have it already. So you know.]

Oh, hey, yo! Yes, you! You and your strange friends! Follow us – like a cult – on Twitter or ‘like’ us on Facebook. It’s mostly just Dylan Moran and oboes, but still.

Who threw my toys away and gave me coffee?

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Adam Green – Down On The Street

Jarrod’s red rash irritates him daily. Spreads across the broken skin on his neck. He scratches at it with the hook-clip of his tie by nodding – pushing his head forward and back helps. It keeps spreading, cantankerous, and he keeps nodding faster and faster. His colleagues mistake his grimace for a grin, and smile back. He nods faster and faster. He tucks in his elbows, his shoulders tense, and picks up his stride to get his mind off the spreading red rash climbing down his chest, nodding along. And his boss promotes him and his colleagues detest him and his head falls off from all the nodding. The End.

[It’s toe-tapping alcoholism. Go buy Gemstones. I am aware that he recently released Minor Love (an album which, by the way, Green penned the press release for himself – including this tidbit “… He often contends that nothing lasts…that there is nothing to look forward to…and that “we are all living in a butcher shop” which Leonard Cohen told him while at a Bar-B-Que at Lou Reed’s house…”) Go buy that too, you rich bastard.]

[This video has an alternate ending. Fire Escape releases July 12.]

My family’s role in the world revolution.

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Beirut – My Family’s Role In The World Revolution

I’ll tell you exactly how I listen to this song:

Waaarp, air-piano! Ba-da-da-da-da-da-dum!

Pause… laugh along with the band, man, you guys are great… and piano!

Ba-da-da-da-da-da-dum!

Trumpets, tubas, whatever the fuck they are, air-play those!
Drop ’em (I’m not worried if they get scratched) and back on the piano.
My feet are pressing the pedals,

I’m making the sounds ring,
they’re flying,
I’m flying.

My lower back and my stomach, convulsing.

Back to the trumpets! Come on, people. Get in here!

I want to hear the thunderous march of your ambition!
The spine-curling cry of your despair!
March march march!
Grip at the air with your instruments and play a goddam song.

We don’t see the melodies, so why should we see the instruments?

And now strip away. One goes.

The other goes.

Just a tinkling piano.

A smashing on the cymbals. Pssshh!

And a squealing trumpet.

And slump, head down, into silence.

[Let’s go to Lon Gisland.]

E R U P T L I K E V O L C A N O

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Jónsi – Tornado

I’m imagining a man at a bar sitting side-by-side with a perfectly still tornado. Just wisps of white wind and debris in spirals circling their way to the ceiling.

Unfashionably dressed, with his plain blue collared shirt tucked – front, back, and waist – into his jeans. He’s leaned over the bar, can cupped in his focused hands, and singing. Quietly, to begin with. His throat is extended, his Adam’s apple exposed with a jagged triangle bursting from the skin covered in stubbly black hair and the odd white. He’s singing a simple song, as if he were just talking, just getting it out. His ears twitch when he says, “You. You grow like tornado. You grow from the inside. Destroy everything through. Destroy from the inside.” And the bartender unlatches the locked stained-glass window, to let some of the night in after a long day, and the breeze comes sifting in through the bare legs and soaked ankles on the barroom floor. And the breeze creeps and crawls and finds the wisps of white wind spirals at the counter. And the spirals start to spin, when the creeping breeze touches them.

“You sound so blue. You now are gloom.” This breeze, once gentle, comes forcefully now from the roaring quiet of the outer-city avenue. And the jackets come quickly from the shoulders of the chairs and wrap around the prettiest, most slender waists first. And the tornado spins spins spins spins. And the glasses fall from the counter top, shattering on the barroom floor, against the dried drink from the night before, so the shards glowing like crystals in the dim light scatter like marbles on uneven ground.

His throat now shaking free from the vines of skin and muscle and bone splits veins that wrap around the revolving winds beside him and this mix of wind and odd chunks of dirt and blood is tearing from him this voice altogether brash and subtle and blinding. “YOU. YOU GROW, YOU ROAR. ALTHOUGH DISGUISED, I KNOW YOU.” And his lungs come strangled by the winds, the two of them shriveled and purple and floating in the middle. His heart, like a pendulum swinging by a thousand strings of gold, comes next. It swivels on an invisible axis. And the chairs and stools come crashing down around this man and this tornado, beating like mad-men on newly-bought drums while the glass clinks and clangs and this man sings to twisted tornado from tightened tongue. [Go.]

A teenager in love with Christ and heroin.

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The Pains Of Being Pure At Heart – A Teenager In Love

Endorphins meet dolphins on the Gulf of Mexico squeaking from their blow-holes waiting for the next wave to sully their salty smiles. Ultraviolet violence comes crashing from the bolted metal arks with staggering javelins poking and prodding at the Earth’s sweaty bellybutton.

Sarah meets Maker on the rickety staircase of her aunty’s Victorian five-bedroom house on Chapel St. Her Cross Country medals sit perched on the wall, never dusted. Her cheques sit in the mailbox too far from the front door, and living alone no lover brings them to her. The neighbour on her left, Liam, sometimes does the deed, if lonely.

[Hold close The Pains Of Being Pure At Heart.]

lextrical – Nautical Automaton

Quentin Tarantino’s James Bond short, filmed during his hallucinatory-arthouse-phase, exposed everything that was important about The Man With The Golden Gun. In its succinct runtime of seventeen-minutes, fifty-seven seconds, Quentin plays his cards: foreign seductresses, ear-rattling explosions, hair-raising chases in ramshackle Cadillacs, an intimidating-yet-laughable villain, a finely cut beige Armani suit, and an endless array of buzzing, beeping, brrrat!-ing gadgets. And a shark tank.

And so, the shark tank scene: it will not be the kind where Bond goes toe-to-toe with a pack of tiger sharks, rendering them immobile with swift jabs to their noses, no sir. Bond will take with him his mistress, Eva, and they will twirl amongst the frenzy, soaked through to the bone. And her clothes – clinging to her supple breasts, her pert frame – will slip away. And while they nibble on one another, the beasts will tear strips of flesh from their form, whirring from the predatory machine within.

And the blood will bubble and stain the opaque walls.

[Pay-what-you-want-or-pay-nothing on pre-release for Heavy Lextricity. Oh, and find some rhythmic beans.]

I tell them to get fucked; they put me away.

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“This fucking city / is run by pigs / they take away the rights / from all the kids.”

Just a small coincidence.

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iotah – Foreign Lover

Errant leaves scattered clumps of brown on the tar of a quiet road in Siren. Siren, a town of no more than two-hundred inhabitants and, if fortunate, a visitor or two each year, was gifting Autumn its final hurrah, a pat on the back before being gift-wrapped in brown paper with a violet string and sent on its way to college. Winter this year was falling hurriedly on the sloping hills surrounding Siren; hills made not altogether of dust and weeds, but awash with beehives in every rocky alcove, every tilted tree, every false step. In Winter, the bees would bite down on their mandibles, fearful of a trigger-happy Queen sending them into the uninviting wilderness, the biting cold. But in Summer, well, the hills of Siren overflowed with honey streaming down the cracks in the earth and finishing, folded in layers, at the porches and stoops of homes and businesses everywhere.

[Triple J are hosting a tasty selection from iotah as part of their Unearthed series, so be sure to mosey on over there to have a listen.]

bearhug – Grapefruit

Mother hadn’t said a word, staring at the remaining scraps of food left on her dinner plate. Dinner, she thought, was lovely tonight. Father had come good on his word to play chef for the evening, to give her some respite from the thankless slog of day-to-day housekeeping. Fixated on the clustered colors in front of her – the unwanted green peas, the once-creamy-now-mushy-white chunks of potato, the slivers of meat scattered carelessly against the worn-weary pattern painted on each plate in the thirty-piece set – there wasn’t anything there to frown upon. Maybe it was the onset of Winter, the cold creeping into her teeth, but she couldn’t bring herself to indulge in dessert. Untouched, in the center of the dining room table, sat one porcelain bowl of Siren Hill’s Honey.

[Bearhug have a free EP, Cartoon Islands, on offer at their MySpace page. It’s terribly colorful. Their next, To Anything, is released late-June.]

The Jezabels – Easy To Love

Siren’s hospital, a pastel building found without trouble by the ever-lit red cross at its entrance, was buzzing with activity on Winter’s Eve. The hospital’s entire roster was on call – all three doctors, nine nurses, three administrative officers, and Errol the janitor. There were two mothers laboring through the heaving trials of childbirth this evening. Both had arrived at similar times, accompanied by equally concerned husbands, and found themselves side-by-side in the hospital’s two remaining rooms. As the evening set and Siren’s streetlights began to flicker off, automated and comforting in that sense, both women fell into a rhythm that propelled the other along. Room one: heave, rest. Room two: rest, heave. Room one: heave, cry, rest. Room two: rest, cry, heave. As their cries met, mingling for a moment, the Moon found its snug groove in the night sky and looked cozily upon the two vessels hoisting into the world two more for the Sun to enlighten, two more for the Moon to soothe.

[And you, yes you, curious reader, should pinch pennies from pockets to pick up a copy of The JezabelsShe’s So Hard. At $6.99, it’s a steal.]

“So don’t get any, big ideas.”

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These people are weird in here.

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Marina & The Diamonds – The Outsider

It started inconspicuously, the cold. Lunch tray gripped firmly, back bent inwards that painful way for posture, her elbows locked. She felt the bones shifting furniture, taking down paintings, scratching at the front door and throwing away the key. Then her knees. A subtle crack, a tightening in her lower thighs, a stop. She scanned the room, desperate for somebody that could help her, somebody that would notice. There he was: that young collegiate professor, with the burgundy sweater and its off-yellow trim and thin-rimmed glasses accentuating his oddly gray expressions. He stared, his gaze almost cruel, at the unremarkable woman stood frozen across the cafeteria. She felt the cold tingling along the base of her neck, touching the softest sides of her throat – these were the spots that her four most recent lovers had often neglected. They had grazed their lips against her neck, their tongues, and been close but never there. She wouldn’t have the means to speak soon.

[If you’re satisfied, buy The Family Jewels.]

InMemory – Daddy Raised Us Kings

Fuck you, mom. Fuck you, dad. Fuck you, teachers, and fuck your keeping-me-up-late-at-night-assignments and irrelevant examinations. Fuck you, [insert best friend’s name], you’re always trying to show me up. Yeah you are, with your designer label clothing and your thoughtfully messy hairstyle. Fuck you, girlfriend, I know you’re messing around behind my back with [insert best friend’s name]. I know you don’t love me. That’s okay, we’re young, it doesn’t count. We’ll grow old and forget each other and marry other people and maybe wistfully think once about the good ol’ high school days, and there will be no animosity, just our own marveling at how we’ve grown. But fuck you anyway. [J.R.]

I still want to drown, whenever you leave.

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The xx – Shelter

If he had stayed, he’d have cried. He could feel the tears welling, his breath short, and watched her watch him carefully. He knew if he dared exhale he would surrender every word he had ever said, would ever say, all in one moment. And he caught it just in time. And he pulled himself to his feet, and let go of her hand, and left her in bed, wondering. And he turned the corner after the door and stopped, staring at his feet. At his stupid black leather shoes. And his shoulders shifted with the pressing weight that only goodbye carries. The elevator chimed to announce its arrival. The door closed behind him. His sides stretched, pushed out by his insides clawing for air. His heart beating in irregular steps to compensate for his shriveled lungs, starved of nicotine. His intestines squirming with afterthoughts. His stomach churning. And his hand moved quickly to the thread necklace, with its wooden penchant, and its engraved flower blooming under the sun. He ran his thumb over the grooves in the polished wood, pulling it down so as to press against the back of his neck.

[Money can’t buy you love, but it can buy you XX.]

El Perro Del Mar – Shelter (orig. The xx)