Everything this person has written for TUNETHEPROLETARIAT

Carey’s pagan angel (III)

Written by

Jeff Buckley – Everybody Here Wants You

Cupping the cheeks of her arse with her white-bound stockings as he pulled her close, her smooth skin dragging against the short soft hairs on his legs, Carey had been here before.

Erin hadn’t had too much to drink, like with some of the other women Carey had brought back to his apartment. She hadn’t been impressed by his menial employment, capable of being done by just about anybody. Any fuck straight out of school looking for some cash to set himself up. She hadn’t even found him all that funny, all that interesting, all that brimming with charm.

But she was there, the under-curve of her breasts resting on his chest. The small of her back pushed in, shoulders jutting out with her neck as she drew back breaths and gasps, and sometimes moans when Carey did things right. He did things wrong, he knew. He never got the swing of his fingers, of his thrusts. He didn’t have that rhythm, that motion. But she did moan, small and private, sometimes.

Her pearl-white dress sat crumpled on the chair in the corner of the room. The streetlight snuck in through the closed blinds in his apartment. It cast shadows of their tango on the walls in a greyscale kaleidoscope turn. Carey’s hands dug into Erin’s back, drew blood from the muscles in her waist and stained the tips of her feathers.

[Sketches For My Sweetheart, The Drunk.]

(illustration by James Jean)

Carey’s pagan angel (II)

Written by

Brand New – Me vs. Maradona vs. Elvis

My next?
Your next drink.
Oh, well, sure.
What are you drinking?
A beer will do – any beer. Whatever you’re drinking.
I don’t know many women that like beer.
I have a taste for it.
A beer it is. L, could we get two over here? (Sure, man.)
I’m Erin.
Carey. A pleasure.
Not yet, but maybe soon.
Maybe. Winding down from the working day?
You could say that.
I know this’ll sound lame, but: come here often?
First time.
Makes sense. I’m a regular.
A regular what?
A regular here. At Gallagher’s.
Oh.
Yeah, I like the place.
Why?
Just a funny mix of riff-raff and raff-riff.
Raff-riff?
Yeah, raff-riff. When you think of riff-raff, just think of the opposite. Raff-riff.
Hah, clever, Carey.
So what do you do?
I work with people. More than I’d like.
I hear that. People, man. People can get you down.
I only see them getting up, but it’s always going down, sure.
Staying long?
Probably ’til the end of this drink. I guess it depends.
We’ll see. What’s with the wings?
The wings?
Yeah. Coming from – or going to – a costume party or something?
Sort of.

[Buy Deja Entendu.]

(illustration by James Jean)

Carey’s pagan angel (I)

Written by

Bon Iver – Creature Fear (Daytrotter Sessions)

Gallagher’s pub, on the corner of Glenden St. and Oxford Rd., drew a curious bunch. Carey found himself there on most evenings, throwing a two-fingered wave to the bartender, L, who nodded in return and served up a whiskey, neat, that rolled across the counter and sat sweating before he could take a seat.

Tonight, Carey’s jumper hung loosely from his slumped shoulders. Five days a week this jumper wore him to work, battling the frost waiting for him at his door following him to the gaping office hallway. The cotton was splitting at the collar and fraying at the sleeves, a tattered vessel sinking in the sea smoking from the deck.

Cupping his shrinking glass in the palm of his hand, he felt a dull glow in the evening’s stupor.

It was Erin’s hunched spine that gave her away; the dusty resignation that lingered on her wings shading their pearl with inky blotches started creeping on Carey’s skin. He watched the empty bottles standing at attention while she ran her fingers along the grooves of them. What did she know? She knew something. Her dove-tailing dress bunched up at her knees, exposing her thigh. Her bare feet dangled inches from the ochre carpet. Carey didn’t wait: he gathered his tongue at the tip of his teeth and made his way to her, her eyes waiting in their corners. I’ll get your next?

[Bon Iver’s Daytrotter session.]

(illustration by James Jean)

All we hear is Radio Ga Ga.

Written by

Love you, Freddie.

Floating freely in the water.

Written by

Beat Connection – In The Water

This is fun. This is fun. This is fun. This is fun like lunch breaks on school excursions; sitting on the grass outside of the art gallery, kidding around and taking in the real-world sun. It’s so different from the courtyard sun.

This is calm. This is calm. This is calm. This is calm like standing under a spitting shower-head, steam rising from your pores, in the early hours of the morning and knowing the world around you is sleeping while you cleanse.

This is new. This is new. This is new like an unwrapped present offered by a stranger on the cusp of your birthday, handed over with a smile and a sureness that whatever it is, you’ll like it that little bit more.

[Beat Connection’s Surf Noir EP drops today. It’s July 6th.]

Oh-Ah-Oh-Oh (!) Oh-Ah-OhOhOh (!!!)

Written by

Tame Impala – Alter Ego

The Alter-Ego: graceful, empathises easily, turns the other cheek and shows compassion at all the unlikely times. Wears her heart on her sleeve, keeps her words in her throat, and (compulsively) cleans her fingernails every day. Jeans well-fit, tees well-kept, and her health and well-being is of great concern. She doesn’t smoke, doesn’t drink, doesn’t toy with casual sex, and doesn’t need an excuse to think twice, three, or four times about anything at all. Even breakfast. She is loved, respected, and relied on by others. [Innerspeaker.]

Bjork, Dirty Projectors – When The World Comes To An End

Björk with a Dirty Projector excites me. The Orca swims again in the over-stained photos coming through on the wall; the backdrop to the shoulder-shaking tunes on play. The oh-ah-oh-oh harmonising. The garbled Longstreth, voice shaking in a glass while Tyrannosaurus Rex approaches, pushing through the light. I would have loooooooved you, for a long time. For a long time. [Mount Wittenberg Orca; choose to donate $7, $25, $50, or $100 to the National Geographic Society Oceans Project.]

So sad, so sad, so sad.

Written by

Francois Peglau – One Minute To Midnight Dream (So Sad)

OK, sure, I know: life sucks. I get it. It’s hard, it’s demanding – so many expectations – and you never seem to get what you want. So when you do, it’s like goddam, I got it, and it’s not that great. Hey, what’s that over there! And the money you keep crumpled in your pocket will mean nothing next week and the people look expressionless in their metropolitan hordes and fidelity is tough (so much to consider) and all the while people are shoving pamphlets in your face saying believe this! No, believe that! Wait, free muffins? I’ll believe you! And yeah, it’ll depress you and deject you and push you down, but then you hear a ditty like Peglau’s One Minute To Midnight Dream and it isn’t to your taste on first listen but then second third and fourth are kind of catchy and the banshees wailing sad, so sad, so sad, so sad! are all you think of but you don’t feel sad, you feel kind of happy and like you want to run for your life but not run away from your life for your life but run for it! RUN! I want to run for life! I want to run a marathon to support life and everything it offers and takes away and I’ll pay five crumpled dollars a mile and I’ll run ’til my thighs start fidgeting with my bones and shaking and my sphincter’s relaxing in an altogether alarming way but I’ll keep running running running ’cause I want to live goddamn it.

[Watch the video here.]

I didn’t understand.

Written by

Elliott Smith – I Didn’t Understand

A tin-can rolls down Maine St. Skipping over stray stones, collecting dents, left to its own. The unsuspecting quail in the forest twitches unsurely. Ruffles its feathers. A click and a sweaty finger pushes, forty yards away. A shot. Out on Pyrmont Bridge the orange-clad construction workers jackhammering away in the neighborless sun trade wisecracks, marital advice, and bets. Hair growing from a newborn’s scalp pushes through the pores. Little barbs of black jagged like the remnants of a charred forest torched for industry.

[XO.]

It’s a mixed up masquerade, penniless arcade.

Written by

Swan Lake – Petersburg, Liberty Theater, 1914

“The worst artists look only to the self: people who write down their dreams and relate their drug trips and describe, as close to truth as their side allows, their painful break-ups. The second worst artist looks only at the external: didactic faux-revolutionaries, critical theory poseurs, Foucault fucks, nature writers. The best artists find the point where the self co-mingles with the external. The self and the state. You and your partner. Fathers and Sons. It’s really really hard to sit on this point and it shifts, which accounts for the varying quality of work in a person’s career–this balance is constantly in flux.”

Carey Mercer, MBV

[“We sow the songs, the Earth bears our wrong, our pales wrongs all along!” moaned the Beast to the archangel and the pitied woman.]

May McDonough – Gone With The Snake

If you go to see Maia, remember: eldest of the seven daughters; a feminine vessel fertile in demeanor with black eyes lively by the fire. From where she sits, only women come courting but these women seek only words and a twist of the wrist, nothing else. And Maia’s left arm is adorned with pearl-white bangles that fasten at her hand. She brings this hand before her courters and speaks in aphorisms: “Romance is mostly being lied to,” she offers.

And, if you’re going with the Snake: remember that it wraps its nubile belly around the grand piano pedal before you pound on the keys.

[Don’t cry over Spilt Milk, even though you’ll want to.]

Moving parts, and electric dreams.

Written by

[Find the rest of these blossoming flowers In The Wooded Forest.]